Om 


- WY HOG, FEeNDoM. 


Bring’ a 
Second S 


Tola Now $117, 340 for 442 Paint. 
| x ings—An Inness Brings pee 


A V Hes ph? of Evening. ’ 


“With a’ total of $60, 185. fo eel | 
‘pictures and a grand total, so far, of| 
$117,540 for 142 pictures, the second session} 
of tthe sale of Mr, William T. Evans’ 
eollection of American paintings was held 


Nast night in the ballroom of the Plaza 
| Hotel, under the auspices of the American 
Art Association, Mr. Thomas E. Kirby 
| presiding as auctioneer. The rest of 
the paintings will jbe sold to-night ~and 
| to-morrow evening. Mr. Evans’ collec- 
ition of prints will be sold at auction at 
ithe American Art Galleries, No, 6 Madison 
{square south. 

Oiesyves Inness’ “Warly Autumn—Mont- 
clair”? brought the highest price last night, 
going to an anonymous buyer for $3,850. 
This painting shows a view from a field 
lof long grass on a hilltop over a plain of 
diversified landscape. Trees are at the 
|right. Mr. J. Francis Murphy’s ‘‘Morn- 
jing” went to Mr. Arthur Lehman for $3,550. 
{Mr. Thomas W. Dewing’s “The Lute” 
| brou sht the third highest price, going to 
Mr. G. L. Andrews for $3,500. Alexander 
ei. Wyant's “An. Adirondack Vista’ was 
sold to Mr. G. S. Palmer for $3,025. 

| Mr. George A. Hearn bought two ipict- 
lures, Mr. Henry Oliver Walker’s “A 
|Morning Vision’? for $1,550 and the late 
Louis Loeb’s ‘‘Miranda’’ for $700. Other 
| pictures: bringing $500 or more, with the 
jartist’s name first, then the title, the 
buyer’ $s name and price paid, were as fol- 
Hlowsi— 

|d, Francis Murphy, ‘‘September;’? Messrs. 
Heeraneby hE ATA Wigs ANETTA UTS 84215. exis s' oe aleiaim ciao acavaie 
hseccronapaage Hy Wyant, ‘A Cloudy Sunset ;’” 
Peet ioe Gate NIE a cas ghattce ao Glare wii’ 825 
| Wyant, “Mystic Rays;”’ Mr. Henry de 
HaREPOUESD -a\s,clglative tcibapinn nk gens waive be 4 ch 9 9'4ien 925 
orge de Forest ireh, “Leda and the 
| Swan;’?) anonymous buyer... RSENS ioe asks ate 1,300. 
kwyant, “Sunset in the Woods;’? Mr, Will-. 
Parte UNEAe ELM: Wo Kiso soe a kms witaeramaeectot 725 
[Wzant, “a Cloudy Evening;’’ Mr. L.. EB. 


iJ 


Uremaet D. Martin, ‘Autumn; Mr, William 


Macheth Se OER SORT SES RSH ORE Nore SE 715 
I: | Winslow Homer, ne the Trail; 3”? Messrs. 

SoM: Knoedler & Co. . AS SS ARE Peo 700 
Tyrant. ‘September’ >” Holland: Gallery... - 825 
omer Martin, “October; ue Mr, George ‘ 

H. ‘Ainslee BAW et, aes eka ier ANY ANNI, 650 
J. Francis Murphy, “Marly Autumn;’ 

Messrs, Abraham & Straus... ........55% A a0p 
Winslow Homer, ‘‘A Good One;’’ Messrs. 

M. Knoedler & GOR itis re orola Datura cee 1,100 
Inness, ‘Durham, Connecticutt, “"y880;” 

Messrs. Abrabam & Straus............- 876 
Homer D, Martin, ‘‘Low Tide—Villerville: 2 

SUES V IORI 0 santas ty Kurata Ne st Olus telat See atane 2,200 


| William Gedney Bunce, ‘‘Watch Hill, 
Rhode Island;’’ Mr. George H. Ainslee... 58 
Blakelock,» ‘‘A Pool in the  TForest;’’ 
SHOVING Me Fy cae ya cle pea eake bce nt pu cw 750 | 
Wyant, “A Gray Day;’’ Mr. Ralph King.. 1,850 
D. W. ‘Tryon, ‘‘Autumn lEyening;’’ Mr. 


Ratha tA DATE WS 50.8, yo: ol kibjniah o) SRE ALM EGR cai 1,725 
Blakelock, “The Mountain Brook;’’ 

WUAUTAY LN OALES rae ananasly a iate ow pero: oh) cide OBS tue seeie Ar OLS! 800 | 
J. Alden Weir, ‘Lengthening Shadows;’” 

Mr, William Macbeth.......2..scesss00- 1,100 | 
J. H. Twachtman, ‘Old Holly House, Cos 

Cob—Winter;’’ Messrs. M. Knoedler’ & 

GSC a RU gs -o 4 SEWN Sc stata aM ek be din ei a oncie pa ge vi 800 
Inness, ‘‘Spring Blossoms—Montelair, 1885;”" 
| Messrs. Moulton & Ricketts......0.00.. 06 1,500 
Willard L, Metealf, ‘““The Bower;’’ Messrs, 

Mo Roedler 88 Ooo. sos wales ove e cones 700. 
| Childe Hassam, “‘Leda and the Swan;'’ Mr, 
ERNIE O ROCMSEIL DOT Vive tiaveg, +s Stele veyacsy ac cheat eath 1,300 
\J. H. Dwaehtman, “A Spring Morning;’’ 

hi Wiliam: Mime betes oo 552 shoe aetna 1,250 
Benry Wey Ranger, ‘*Willowss"’) Mr. Will- 

jam: Matbeta. 7. es casi eee ee eae rad bert ae OO 
J, H. Lwachtman, “The Bridge in Win- 
| ter;’” Messrs. M. Knoedler & Go........-- 1,450 
‘Robert Reid, “The Brown Veil;’? Mr.. N, 

MSRM aiathe Geib aelmiateie pis ehakeie Hota ets Sale Bi 660 
Louis Paul Dessar, ‘‘The Wood Cart—Eatly 

Morning;’’ Mr, Henry Schultheis........ . 1,450 
Henry W. Ranger, ‘‘The Swamp Pool;’ 

MSA TA SE, SHONOKS coe wisi Satria oe icles elie 1,400 
\J. H. Twachtman, ‘Meadow Flowers; an : 

Colonel | Wood wards es hives caelea lems 700 
Lilian M. Genth, “Spring Blossom:"* Dr. 

VAMOS DIY WI slisid s d'e.4, Lol toe as Sie ea aieiR ee IRC Cote 
|Hugo Ballin, “An Brening Song;’" anony- 

MOGI F4 win sul ecto inariocmedewie ialeiue ti patina peukee BaD. 


|\C, M. Dewey, ‘‘Drifting;’* anonymous..-.., 560 
To-night Mr. D. W. Tryon’s ‘‘Daybreak,’’ 
|'Wyant’s ‘Morning at Neversink,”’ Blake- 
\lock’s ‘Moonlight’ and Homer D. Mar- 
tin’s “The Mussel Gatherers,’’ large and 
limportant canvases, will be sold, 


” 


ag 3 
an : — i 


a =e? 
ihe ee ee 


= 


REPRESENTATIVE AMERICAN PAINTINGS 


THE PRIVATE COLLECTION 


~ OF THE WIDELY KNOWN AMATEUR 


WILLIAM T. EVANS, ESQ. 


OF NEW YORK 


TO BE SOLD UNDER THE MANAGEMENT OF 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 
NEW YORK 


; Ee Pek rt te om Ew 


dee 

e < 

2 y 

\ 4 ‘ ¥ my %, " 

° 
~ 

“Ht ; 

é ae: 

> 

z 

- 
ts \ \, ute) : 


ON FREE PUBLIC VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 
BEGINNING WEDNESDAY, MARCH 26tTn, 1913 


AND CONTINUING UNTIL THE MORNING OF 
THE DATE OF SALE, INCLUSIVE 


THE PRIVATE COLLECTION 


OF 


AMERICAN PAINTINGS 


FORMED BY THE WIDELY KNOWN AMATEUR 


WILLIAM T. EVANS, ESQ. 


OF NEW YORK 


UNRESTRICTED PUBLIC SALE 


IN THE GRAND BALLROOM 
OF THE 


PLAZA HOTEL 


FIFTH AVENUE, 58TH TO 59TH STREETS, NEW YORK 


ON MONDAY, TUESDAY AND WEDNESDAY EVENINGS 
MARCH 31st, AND APRIL 1st AND 2npD 


BEGINNING EACH EVENING AT 8.15 O’CLOCK 


= 


ILLUSTRATED CATALOGUE 


OF 


THE COLLECTION OF 


AMERICAN PAINTINGS 


FORMED BY THE WIDELY KNOWN AMATEUR 


WILLIAM T. EVANS, ESQ. 


OF NEW YORK 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
IN THE GRAND BALLROOM OF THE 


PLAZA HOTEL 


ON THE DATES HEREIN STATED 


PAINTINGS DESCRIBED BY 
MR. DANA H. CARROLL 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY, OF 
THE AMERICAN ART ASSOCIATION, MANAGERS 


NEW YORK 
1913 


CONDITIONS OF SALE 


1. The highest bidder to be the Buyer, and if any dispute arises 
between two or more Bidders, the Lot so in dispute shall be immediately 
put up again and re-sold. 

2. The Auctioneer reserves the right to reject any bid which is 
merely a nominal or fractional advance, and therefore, in his judgment, 
likely to affect the Sale injuriously. 

3. The Purchasers to give their names and addresses, and to pay 
down a cash deposit, or the whole of the Purchase-money, if required, 
in default of which the Lot or Lots so purchased to be immediately put 
‘up again and re-sold. 

4. The Lots to be taken cway at the Buyer’s Expense and Risk 
within twenty-four hours from the conclusion of the Sale, unless other- 
wise specified by the Auctioneer or Managers previous to or at the time 
of Sale, and the remainder of the Purchase-money to be absolutely paid, 
or otherwise settled for to the satisfaction of the Auctioneer, on or 
before delivery; in default of which the undersigned will not hold them- 
selves responsible if the lots be lost, stolen, damaged, or destroyed, but 
they will be left at the sole risk of the purchaser. 

_§. While the undersigned will not hold themselves responsible for 
the correctness of the description, genuineness, or authenticity of, or 
any fault or defect in, any Lot, and make no Warranty whatever, they 
will, upon receiving previous to date of Sale trustworthy expert opinion 
in writing that any Painting or other Work of Art is not what it is rep- 
resented to be, use every effort on their part to furnish proof to the 
contrary ; failing in which, the object or objects in question will be sold 
subject to the declaration of the aforesaid expert, he being liable to the 
Owner or Owners thereof for damage or injury occasioned thereby. 

6. To prevent inaccuracy in delivery and inconvenience in the 
settlement of the Purchases, no Lot can, on any account, be removed 
during the Sale. 

7. Upon failure to comply with the above conditions, the money 
deposited in part payment shall be forfeited; all Lots uncleared within 
one day from conclusion of Sale (unless otherwise specified as above) 
shall be re-sold by public or private sale, without further notice, and the 
deficiency (if any) attending such re-sale shall be made good by the de- 
faulter at this Sale, together with all charges attending the same. This 
Condition is without prejudice to the right of the Auctioneer to enforce 
the contract made at this Sale, without such re-sale, if he thinks fit. 

8. The Undersigned are in no manner connected with the busi- 
ness of the cartage or packing and shipping of purchases, and although 
they will afford to purchasers every facility for employing careful 
carriers and packers, they will not hold themselves responsible for the 
acts and charges of the parties engaged for such services. 


Tur AMERICAN ART ASSOCIATION, Manacers. 
THOMAS E. KIRBY, AvcTIoneEEr. 


— : 


\TALOGUE 


FIRST EVENING’S SALE 


MONDAY, MARCH 31, 1913 
IN THE GRAND BALLROOM OF THE PLAZA 


FirtH AVENUE, 58TH TO 59TH STREETS 


BEGINNING AT 8.15 O'CLOCK 


No. 1 


WILLIAM MERRITT CHASE, N.A. 
AMERICAN 1849— 


NEAR BAY RIDGE 
Height, 10 inches; length, 1434 inches 


THE water of the Narrows is a silvery gray and blue, reflect- 
ing the pale blue sky and thin white clouds, which are tinged 
with a fleeting pink. Along the shore are factories and 
dwellings, with a patch of lawn visible and smoke blown from 
tall chimneys. In the stream are many sloops and schooners, 
at anchor or tied up to wharves, their tall poles rising sky- 
ward and topsails bunched above the crosstrees. 


Signed at the lower right, Wm. M. Cuase. 


Purchased from the Holland Galleries. 


B se. ane Memp-Hregg 


No. 2 


CHARLES C. CURRAN, N.A. 
American 1861— 


BUTTERFLIES 
(Water Color) 


Diameter, 1214 inches 


AGainstT a solid circular background of grayish-blue, and 
against the light, a nude and red-haired maiden is portrayed at 
three-quarter length, seated on a bank of flowering greenery 
with her back three-quarters to the spectator, her face in pro- 
file. She looks down at a vivid green and blue butterfly, and 
other butterflies flutter about. 


Signed at the lower right, Cuas. C. Curran, 1904, with 
the title. 


Purchased at Salmagundi Club sale. 


S ss. aif a 


No. 3 


RALPH ALBERT BLAKELOCK 
AMERICAN 1847— 


PEGASUS 
Height, 9 inches; length, 1234 inches 


From a low green spot in a wild and rocky landscape a white 
steed rears upon his hind legs and points his nose skyward, 
a small rider in pale blue clinging to his neck. The group is 
seen against a broad black tree trunk and clump of brush, 
before a sky of swirling white clouds. 


/G 0. AyorClon > Ine hoteg 


No. 4 


SAMUEL COLMAN, N.A. 
American 1833— 


MOONRISE AT VENICE 
Height, 101% inches; length, 18% wches 


Ir is dim twilight, and the lands and the waters are seen as 
within a gray veil, against a low background of thick, slaty- 
blue horizon haze. Out of the haze the pale, full moon is 
rising, reflecting a white pathway on the broad water which 
makes up the foreground. Here a dark gondola or two, with 
a light under the baldacchino, and one or two sail are seen on 
the canals, and beyond them in misty distance domes and cam- 
paniles above low masses of indistinct buildings. 


Signed at the lower right, SamuEL CoLMAN. 


From the Colman sale, American Art Association. 


f2b0o, \Talfek Jing 


No. 5 


FREDERICK BALLARD WILLIAMS, N.A. 
American 1871— 
THE BATHER 


Height, 11%4 inches; length, 1434 inches 


A YOUNG woman with reddish-yellow hair is seated, nude, 
upon a dark green drapery thrown over a ledge of rock in a 
sequestered nook by the side of a rushing brook. Her back 
is toward the spectator but she turns her head to look over 
her left shoulder so that her face is seen three-quarters front, 
as she sits with her right foot crossed over her left knee, her 
left hand resting on it. The rocks are yellowish-brown and 
dull green, and the tumbling light green water of the stream 
is further lightened by the foam churned up in its swift flight 
among the small boulders in its course. 


Signed at the lower right, Frep’k Batitarp WILuraMs. 


Foss. Probl Vice hates 


No. 6 


WILLIAM A. COFFIN, N.A. 
AMERICAN 1855— 


A RAINY DAY 
Height, 14 inches; length, 20 inches 


LusH meadows and cultivated fields divided by bush-hedges 
and trees cover a broad hillside and hollow. A road crosses 
diagonally, leading in the direction of groves and buildings on 
a distant ridge along the horizon, all but obscured in the 
dimness of a dark day and still-descending rain. The gray 
rain-clouds become darker toward the left, where the force 
of the storm is seen; all the landscape is wet, and the still 
foliage droops. 

Signed at the lower right, Wm. A. CorrFin. 


No. 7 


RICHARD PAULI 
American 1855—1892 
EVENING 
Height, 1834 inches; length, 22 inches 


Day has hardly gone, but the crescent moon is showing her 
pale yellow form in the sky, and two bright planets appear 
above her, unobscured by the plentiful nebulous clouds, still 
tinged with sunset colors, which lightly veil the visible heavens. 
The landscape is low and flat, with gentle undulations that in 
the sunset hour almost spell a lullaby, and a shallow lagoon 
or inlet sweeps across the picture, a clump of trees on its 
farther shore interposing their shadows between the lighter re- 
flections of the distant sky. 


Signed at the lower right, Ricuarp Pavtt. 


Purchased from A. Ludwig. 


No. 8 


EASTMAN JOHNSON, N.A. 
American 1824—1906 


CORN HUSKING 
Height, 8 inches; length, 27 inches 


A soyous picture with all the life of a sketch at one go, pre- 
senting a company of neighbors at a husking bee in a field ad- 
joining a farmyard and large barn. The gathering—their 
numbers indicating an out-turning of the whole neighboring 
countryside—produces a scene of abounding life, good cheer, 
fellowship and industry in a bucolic America that is passing 
away. Near the big barn, huge rounded stacks are piled, 
the green field before them, where the busy company is as- 
sembled in varicolored costume, being almost wholly covered 
with the yellow discarded husks of the garnered maize. 


- Signed at the lower left, E. J., Ocr. 28, °75. 


From the Johnson sale, American Art Association. 


No. 9 


FREDERICK S. CHURCH, N.A. 
AMERICAN 1842— 


THE VISITOR 
Height, 22 inches; width, 16 inches 


A FAIR young girl in a simple filmy white dress, sleeveless and 
décolleté, with pale yellowish tones, banded about the waist 
with a wide sash of the same material, is portrayed as a shep- 
herdess coming through thick and tall green grass, a sheep by 
her side which nestles up to her, and a flower-entwined crook 
in her hand. Her abundant light hair is decked with a white 
rose. She is shown at nearly full length before a light green 
wood, and she smiles gently as a white dove with outspread 
wings alights on her extended right hand. 


Signed at the lower right, Coprricut By F. S. Cuurcn, 1901. 


Purchased from the artist. 


£360. Cobuccr rowan 


No. 10 


RALPH ALBERT BLAKELOCK 
American 184'7— 


EARLY EVENING 
Height, 15%4 inches; length, 2334 inches 


AN expanse of blue water in the foreground, extending across 
the picture—blue with reflections of the sky and distant 
mountains—is mottled with further reflections of lavender- 
brown clouds, the shadows of bushes on its bank, and the 
light of the full moon, which, though high in the heavens, is 
still white as though the daylight had not wholly departed. 
The bank, across the picture, is low and brown, and sugges- 
tions of dwellings come out of the obscurity, while in the dis- 
tance under the still light sky a range of mountains, dim and 
blue, bounds the scene. 


Signed at the lower right, R. A. BLaxetock. 


Purchased from William Macbeth. 


No. 11 


THEODORE ROBINSON 
American’ 1854—1896 


A NEW ENGLAND BROOK 
Height, 18 inches; length, 22 inches 


GREEN branches of trees whose trunks are unseen overhang a 
grass-covered bank sloping from the left, and a small gray 
tree, some of whose limbs are dead, or bare of leaves, grows near 
its foot at the edge of a broad brook which curves into the fore- 
ground. The foliage and a green hillside that forms the back- 
ground all but shut out the sky, which is glimpsed through 
leafy apertures. The brook is green with reflections of its 
surroundings, and gray-blue and white where it mirrors the 
sky, and small rocks rising in its shallow water form at one 
point a “bridge” or crossing. The light is diffused and the 
spot inviting, with suggestions of field flowers and freedom 
to roam. 

Signed at the lower left, Tu. Rosinson. 


Purchased from S. S. Dustin. 


pars Ablow. PY onlin : 


No. 12 


JOHN HENRY TWACHTMAN 
American 1853—1902 


AN EARLY WINTER 
Height, 17 inches; width, 14 inches 


OveER a low, uneven countryside the grass is still a fresh 
green in a meadow where the hollows have been filled with an 
early drifting snow. Across the background a ridge of high 
hills, wooded and dark for the most part, reveals one broad 
field on a steep slope, which is snow-covered, with patches of 
its green grass coat appearing here and there. In front of 
the hill is a group of gray buildings with snow on their roofs, 
from the chimney of one of them a line of smoke curling sky- 
ward in the wind. Before them two trees retain a few of 
their leaves. The air is filled with a fine drifting snow. 


Purchased from William J. Baer. 


Mad. FAG Fie 


No. 138 


LOUIS LOEB, N.A. 
AmERICAN 1866—1909 


THE DREAMER 
(Water Color) 


Height, 22 inches; width, 1734 inches 


A TALL young woman gowned soberly in a green so dark it is 
nearly black is depicted at three-quarter length, seated and 
facing the right, three-quarters front. Her hands rest idly in 
an open book in her lap, and she gazes blankly into far-off 
space, dreaming. The light falls broadly on her bright red 
hair and exposed shoulder, and she wears a violet-blue and 
green corsage bouquet. 


Signed at the upper right, Louts Lorn, with date. 


Jo250. In? Sprenger 


No. 14 


WILLIAM GEDNEY BUNCH, N.A. 
AMERICAN 1840— 


SUNSET—MOUNT DESERT 


(Panel) 
Height, 1434 inches; length, 25 inches 


ONE looks over a rolling crest toward the western sky. In 
the fading light details of the landscape are merging and the 
place looks lonely and deserted, though the roofs of dwejlings 
appear beyond the crest, standing out against the sky, and on 
the right is a cottage with a long sloping Dutch roof, from 
whose chimney a column of black smoke is rising straight in 
the still air. The Mount slopes to the right, and the fore- 
ground is an undulating field of green grass with brown 
patches. Little light remains in the sky, which shows green- 
ish-yellow and deep orange tones. 


Signed at the lower left, W. G. Bunce. 


On the back: “Sunset, Mount Desert, 
Maine, 1880; Wm. Gedney Bunce.” 


Purchased from Cottier & Co., New York. 


No. 15 


WILLIAM SARTAIN, A.N.A. 
American 1843— 


NEAR ENGLEWOOD, NEW JERSEY 


Height, 15 inches; length, 22 inches 


t 
A GREEN and level meadow with luxuriant velvety grass lies 
between a moderately high bank on the left and a dense mass 
of woodland growth in the distance on the right, like a verdant 
river confined by umbrageous shores. ‘The bank on the left in 
the foreground is abloom with red, pink, yellow and white 
flowers amongst its herbage, and overtopped by a spreading, 
tree-like bush which raises a huge umbrella of dark foliage 
against a light blue sky with a horizon band of white cumulus 

clouds. 
Signed at the lower right, W. Sarratn. 


$326. Arn Goacheth 


No. 16 


HUGO BALLIN, A.N.A. 


AMERICAN, CONTEMPORARY 


THE DOVE 
(Panel) 
Height, 21 inches; width, 17 inches 


A. DECORATIVE composition full of rich but subdued color. A 
young woman is shown at half-length, facing the spectator, 
before an idealized background. Her left hand is extended 
before her breast and a white dove with a green sprig in its 
beak has alighted on the index finger, and with wings still 
expanded holds up the green toward her face. She wears 
garments of many colors, and jewels. There is a noticeable 
quality in the dove’s plumage. 


Signed at the lower left, Hueco Bain, ’08. 


X20. FT ee 


Nonw-l? 


J. CARROLL BECKWITH, N.A. 
AMERICAN 1852— 


APPLE BLOSSOMS 


Height, 2534 inches; width, 171% inches 


A ropust blond young woman, her golden hair bound in light 
blue fillets and her features drawn into a musing smile, is 
seated in a bower of luxuriant pink blossoms among the dark 
brown branches of a sturdy tree, only the crotch of whose 
trunk is visible. About her is wrapped a canary-yellow and 
pink-white filmy drapery which leaves an arm and her chest 
exposed, and over her lap is spread a broad and open book, 
at a page of which she gazes with interest, the back of one 
wrist against her thigh. 


Signed at the lower left, CaRRoLL BeckwirTH. 


Reproduced in Lippincott’s “American Figure Painters.” 


Purchased at the Beckwith sale, American Art Association. 


P30. py? prance 


No. 18 


THOMAS W. DEWING, N.A. 
AMERICAN 1851— 
MORNING 
Height, 314% inches; width, 10 inches 

MornIn¢ is represented in the figure of a woman, tall, fair and 
erect, who stands with elbows raised and hands clasped be- 
hind her head, turned slightly to the left. She is gowned in 
a classic drapery of white, tinged with a faint pink and a cool, 
bluish-green, which leaves her arms bare, and although stand- 


ing, she seems not yet wholly awake, her face seen in a half- 
light. Vaporous background of blue and green tones. 


Signed at the lower left, T. W. Dewine. 


Purchased from S. S. Dustin. 


Pyco. /y SOAP 


No. 19 


ALFRED CORNELIUS HOWLAND, N.A. 
American 1838—1909 


AT THE MILL, WALPOLE, NEW HAMPSHIRE 
Height, 14 inches; length, 1634 inches 


BEsIpE a clump of slender trees in the foreground, on the 
nearer, grassy edge of a curving stream, an old flat-bottomed 
skiff is tied up. On the farther bank appears at the left a 
group of red and gray frame buildings, in the shelter of trees 
and a hill, and at the right another ancient gray building is 
seen obscurely, a road passing downhill between it and its 
neighbors on the left. In the blue sky are cream-white and 
smoky-gray clouds. 

Signed at the lower right, A. C. Howxianp. 


A paster on the back describes the painting as a “bit of old-time facts 
in the birthplace of the artist.” 


Purchased at the Howland sale, American Art Association. 


Boro. in’? Notha~ Bier 


No. 20 


OTTO WALTER BECK 
AmeERIcAN 1864— 


THE SHEPHERD 
Height, 15 inches; width, 144% inches 


THE head of a man of spiritual countenance, with long, flowing 
blond hair and light, yellowish-brown beard, of a type often 
used in representing The Christ, is shown against a strong 
crimson drapery beyond which appears a landscape with sheep. 
He wears a garment of white with a blue string at the neck, 
and against one shoulder is leaning the head of a boy, who 
wears his yellow-brown hair long and holds in his hand a shep- 
herd’s crook. He is clad in a blue tunic. 


Purchased from the artist. 


Geo, YO Wanda 


No. 21 


WILLIAM L. LATHROP, N.A. 
AMERICAN 1859— 


TWILIGHT IN CONNECTICUT 
(Water Color) 
Height, 1334 inches; length, 15% inches 


Down a steep and characteristic Connecticut hill which mounts 
high on the left, crossed and cut by gray stone fences, a wind- 
ing narrow road makes its way to the foreground, passing 
at the foot of the hill an old gray barn, an open window of 
which discloses the haymow within. On the right at the base 
of the hill is a grove of bare brown trees, a similar grove sur- 
mounting the hill, and a blue brook crosses the road near the 
barn. Daylight has not gone, and the full moon is coming 
up, a pale white disk, above the hill. 


Signed at the lower left, W. Laturop. 


Recevved the Evans prize for the most meritorious water color in the 
exhibition, painted in this country by an American artist, at the 
exhibition of the American Water Color Society, 1896. 


Brys. hy, kmoecllee x C2 


No. 22 


WALTER SHIRLAW, N.A. 
American 1838—1909 


TONING OF THE BELL 
(Study for the large picture) 
Height, 131% inches; width, 1014 inches 


In the gray and brown interior of a foundry or the sheltered 
corner of its court, a monk or professor in skull-cap and black 
robe is sounding the note on his violin while a sturdy founder 
is at work with his implements on a huge golden-bronze bell 
lying shored up on its side. A dog squats before the bell, 
listening, and three small children and a girl carrying a baby 
look on from a doorway at the right. 


Signed at the lower left, W. Surruaw. 


Endorsed on the back: ‘‘Original sketch 
of ‘Toning the Bell’; Walter Shir- 
law, N.A.” 


Purchased from the artist. 


$160 CIT2) Sh orrptor 


No. 23 


GEORGE FULLER, A.N.A. 
AMERICAN 1822—1884 


A CHILD OF THE FOREST 
Height, 11 inches; width, 9 inches 


AGatnsT a dark background as of the depths of a forest—a 
slender tree-trunk or two seen on the edge at the right, where 
a glimpse of the sky may be had—a sturdy child is pictured, 
nude but holding a crumpled garment against his chest. He 
is round-faced, with thick and tousled golden hair, and his 
cheeks and the flesh of his body show a rose-pink hue, his 
suspended garment being a pearl-gray. A low-toned canvas 
of curiously attractive quality. 


Signed at the lower right, G. FuLier. 


Purchased from Louis Katz. 


: B25. hanrtor Mant pole 


No. 24 


LOUIS PAUL DESSAR, N.A. 
American 1867— 


THE EVENING STAR 
Height, 10 inches; length, 12 inches 


DayLicHT is departing, a few shadows may still be seen in 
the deepening dusk, and the evening star shines brightly in the 
blue sky, below white cloud masses that have become gray in 
the gloaming. In the foreground, in a green field marked at 
the right by a few scraggly trees and posts, and bounded in the 
distance by indefinite chaparral, a shepherd whose outline is 
dimly seen is leading his sheep to the fold. They are approach- 
ing a thatch-roofed low white building in the middle distance— 
its thatch a mossy greenish-yellow and brown. 


Signed at the lower left, Dessar. 


Purchased from the artist. 


Pigo Italph Home 


No. 25 


WALTER SHIRLAW, N.A. 


AMERICAN 1838—1909 


THE KISS 
(Panel) 


Height, 121% inches; width, 11 mches 


HALF-LENGTH portrait of an angular woman with large, 
dreamy features and bright red hair, seated facing the right 
and turned slightly forward. She wears a shoulder-sleeved 
décolleté gown with a sheen of old gold, and is seen against a 
dark green and blue conventional landscape background, as a 
gray dove alights on her shoulder and approaches its beak to 
her parted lips. 

Signed at the upper left, W. Suiriaw. 


Purchased from the artist. 


$/30 J: ae 


No. 26 


LUCIA FAIRCHILD FULLER, A.N.A. 


AMERICAN, CONTEMPORARY 
THE ROSE GOWN 


(Miniature on ivory) 


Height, 714 inches; width, 414 inches 


AGAINST a rose-pink background a tall, graceful brown-haired 
young woman stands in bare feet and a négligée lavender-rose 
gown, which is lace trimmed and carelessly open down the 
front, disclosing the white undergarment. She turns her head 
slightly to her right and holds her right hand lightly up to her 
chest. At her left, hanging on the wall, appears a delicate 
.J apanese painting of a charming color quality. 


Signed at the lower right, L. F. Futter, 1907. 


Purchased from the artist. 


$360. SES af Bias Tp 


No. 27 


RALPH ALBERT BLAKELOCK 
American 1847— 


GOLDEN EVENING 
Height, 634 inches; length, 814 inches 


GOLDEN evening it is, on the great American plains, while still 
the Red Man had his home there. His encampment is seen 
in two large, amber- and topaz-tinted tepees, set up at the 
right before a group of tall trees whose shimmering leafage 
rises dark against the light of the sky. In the foreground and 
to the left a level plain, amber and pale olive, extends far back 
to broad hills under a sky blazing in molten gold, touched with 
crimson and malachite-green, the whole landscape suffused with 
the brilliant glow. Indians are seen in many-colored garments. 


Signed at the lower right, R. A. BuaKeLock. 


No. 28 


ALBERT P. RYDER, N.A. 
American 184'7— 


AUTUMN 
(Panel) 


Height, 6 inches; length, 934 inches 


Broap flat fields, brown and sere, extend with scarcely an inter- 
ruption to a distant low horizon, the herbage brown, with 
lingering suggestions of green, in the evening of an autumn 
day. A mass of white clouds gathering and reflecting some ~ 
light of the departed sun make one relatively light spot above 
the horizon, and against this is seen a spreading tree with dark 
branches, in the left middle-ground. On the right appears the 
edge of a tree with massed foliage, quite dark in shadow. 


Purchased from A. Ludwig. 


GD) 
[50 Bo EZ 


No. 29 


ROBERT C. MINOR, N.A. 


American’ 1840—1904 
TWILIGHT 


Height, 8 inches; length, 10 inches 


Two figures, one in a white cap and one in a red one, are 
descried in the transparent shadow of some thick brush at the — 
right, at whose edge grow a tall poplar and a shorter, bushy 
tree. The shadow is lightened by a small pool, near which the 
two persons are gathering fagots. Beyond them and the trees 
the land opens to a broad, undulating green field, relatively 
brilliant in the reflected light of lingering yellow sunset clouds, 
and bordered by wooded land. 


Signed at the lower right, Minor. 


paso. CC Cotas 


No. 30 


J. FRANCIS MURPHY, N.A. 
American 18538— 


AUTUMN 
Height, 8 inches; length, 10 inches 


GREEN fields or meadows, with red and brown patches in the 
wild grass, surround a foreground pool reflecting the gray 
clouds in a mottled and confused sky. The light is weak 
toward the end of day. At the right is vague, indefinite 
distance. From the left an angle of a grove projects, the trees 
brown and dark, with the foliage of some of them a bright 
autumn red as after a first frost in a return of warmer weather. 


Signed at the lower left, J. Francis Murpuy, 1903. 


No. 381 


RALPH ALBERT BLAKELOCK 


AMERICAN 1847— 


SUNDOWN 
(Panel) 


Height, 814 inches; length, 121% imches 


THE sun has passed below the horizon, and a sky full of light 
clouds is turned to gray and yellow where it is seen between 
heavy dark masses of foliage which darken and almost over- 
arch the foreground. In the middle distance a lake or river, 
seen below the leaves, catches a reflection of the yellowed 
clouds, the rest of its surface reflecting the red brown of 
buildings on the far shore which appear in the tone of sard. 


$ 960, i 


No. 32 


ALEXANDER H. WYANT, N.A. 
AMERICAN 1836—1892 


A CLOUDY DAY IN THE ADIRONDACKS 
Height, 9 inches; length, 154% inches 


Dro specters of broad, round-capped mountains appear in the 
distance, veiled by strata of dull, brownish-gray clouds which 
render them all but invisible. Lower down the undulating 
slopes heavier, tumbling masses of lighter-colored, grayish- 
white clouds roll over the land above green-wooded foothills, 
and the tones of the brown and the gray clouds are echoed in a 
shallow, spreading stream of the foreground. WHere in the 
twilight is seen the figure of a woman in a white waist, and a 
lone white cow browses in the grass of the hillside near a 
humble cottage. 


Signed at the lower right, A. H. Wyant. 


Purchased from A. Ludwig. 


JOO . oe [Te eo 


No. 33 


WINSLOW HOMER, N.A. 
Amertcan 1836—1910 


THE DEAD DEER 
(Water Color) 
Height, 1334 inches; length, 1934 inches 


THE gray trunk of a dead tree lies across the picture, on the 
farther bank of a dark stream that forms the foreground, in a 
deep wood. A doe has been shot and tumbled across the log, 
her nose and one fore foot dipping into the shallow water. 
Light from the right colors the water with reflections of the 
surrounding underbrush. | 


Signed at the lower right, Homer, with date. 


Purchased from M. Knoedler & Co. 


Bsoo. 1. tr.v Meee 


No. 34 


ALEXANDER H. WYANT, N.A. 
AMERICAN 1836—1892 
IN THE CATSKILLS 


Height, 14 inches; length, 17 inches 


In the foreground the land rises on either side of a brook of 
sinuous course, green bushes growing down to the water’s edge 
on the right, and on the left a slender and nearly leafless tree 
rooted in a stony soil whose herbage is a brownish-green. 
Beyond a brown, indefinite middle distance rises the deep blue 
ridge of the mountains, with peaked and rounded summits, 
under a sky full of white and darkening gray clouds. 


Signed at the lower left, A. H. Wyant. 


From the A. H. Wyant sale, 1894. 


Paro. A oo, 


No. 35 


GEORGE INNESS, N.A. 
American 1825—1894 


LANDSCAPE AND CATTLE 
Height, 12 inches; length, 18 inches 


Tau trees of sound age and full foliage grow at the left in 
groups of two and more, at the border of a flat green pasture 
where a herd of cows are grazing. The tree-tops pass out of 
the picture. Across the background to the right a thick grove 
of trees bounds the pasture, over them being seen a blue sky 
with smoky-gray clouds overhead and billowing white cumuli 
rolling along nearer the horizon. Some coarse grass and 
scragely roots vary the immediate foreground, and the whole 
of the foreground is in semi-shadow. Bright sunlight falls on 
the middle-ground and the grazing herd—cows red, white, 
black and brown—and the softly rustling foliage and the 
sturdy gray trunks of the bordering trees. The air is clear 
and there is an atmosphere of freshness over the green and 
sunny countryside. 


Signed at the lower left, G. INNEss. 


Purchased of J. H. Strauss. 


fe x00. (ban her. ~ Coe 


No. 36 


ROBERT C. MINOR, N.A. 
AMERICAN 1840—1904 


SUNDOWN 
Height, 16 inches; width, 13 inches 


THROUGH a vista between tall birches and pines and shorter, 
thicker trees, one looks past the green foreground, across blue 
water, and afar to yellow, green and red fields, sloping to 
the water’s edge and golden in the late rays of the sinking 
sun slanting across them from the right. ‘The foreground, in 
shadow, as are the trees bordering it, is in the form of a slight 
ravine, and the grassy sides of its gentle slopes have a velvety, 
moss-green texture. At the foot of the ravine a bit of brown 
sandy beach appears, with low blue waves approaching, and 
combing in white foam-crests as the water shallows. The 
sky is blue, with light nebulous and smoky-gray clouds. 


Signed at the lower right, Minor. 


From the Kirkpatrick sale, American Art Association. 


No. 387 


ALEXANDER H. WYANT, N.A. 
American 1836—1892 


A LOWERY DAY 
(Water Color) 
Height, 11 inches; length, 141% inches 


A ROLLING meadow threaded by a winding brook is dark and 
heavy with the moisture and dullness of a day of lowering 
gray clouds. The grass is a deep green in the shadow of trees, 
lighter but yet subdued under the lighter parts of the sky. 
Vegetation is dank about the brook, and the murky distance 
melts into the low clouds. 


Signed at the lower right, A. H. Wyant. 


Purchased from the Montross Galleries. 


Bo00. %, Aneedhr vCEe 


o 


No. 88 


ALBERT P. RYDER, N.A. 
AmeERIcAN 1847— 


“WITH SLOPING MAST AND DIPPING PROW” 
Height, 12 inches; width, 1114 inches 


Wir# sheets free a small sloop-rigged open boat of heavy 
build is bowling along in a rolling but somewhat choppy sea, 
headed toward the right. It is night but the full moon, well 
above the horizon, in the center, illumines the sea and sky with 
a yellow-white radiance which is diffused by fleecy clouds and 
reflected by the dancing waters. Against the light the boat 
and her sails rise in silhouette, and besides the helmsman an- 
other figure is discerned in the boat, both occupants peering 
astern. The sea is a deep, dark green. A canvas of color- 
richness and charm, rather than nautical exactitude. 


Signed at the lower left, A. P. Ryprr. 


Purchased from Cottier & Co. 


f > O80. Goo. S Taber 


No. 39 


WINSLOW HOMER, N.A. 
American 1836—1910 


A FISHERMAN’S DAY 
(Water Color) 
Height, 121% inches; length, 191% shone 


ON a mountain lake or stream whose clear water is gray under 
the gray clouds that are kind to fishermen, two enthusiasts 
are out for some sport in their gray canoe. ‘They are working 
along a light green shore, back of which tall conifers rise dark 
under the deep shadow of a rain-cloud, with a broad moun- 
tain in the distance high over all, its summit among the 
clouds. The bow fisher has had a fine strike and is about to 
use the net, while the stern paddler guides and steadies the 
canoe. 

Signed at the lower left, Homer, ’89. 


Purchased from Gustav Reichard. 


No. 40 


ALEXANDER H. WYANT, N.A. 
AmeERIcAn 1836—1892 


MOONLIGHT 
Height, 10 inches; length, 16 inches 


A POETIC landscape, with the sentiment of the hour—a vast 
moorland, apparently, whose details are indistinguishable in 
the darkness which is just being dispelled by the rising lunar 
orb, not yet wholly above distant low-horizon hills. The haze 
of the earth’s atmosphere still partly obscures it, but the 
clouds—thick and tenebrous overhead—are scattered and dis- 
persed about the brilliant disk, and its light brings the land- 
scape into being, as it were, and makes a gray, metallic mirror 
of a stream intersecting the middle-ground. 


Signed at the lower left, A. H. Wyant. 


Purchased at the Wyant sale, 1894. 


B00 43, Yhar ptore 


No. 41 


HOMER D. MARTIN, N.A. 
American 1836—1897 


LAKE GEORGE 
Height, 13 mches; length, 20 inches 


THE low green foreground, broken by grayish-white rocks, is 
tinged as are the trees—a detached one toward the left, a mass 
of them on the right—with autumnal brown and suggestions 
of dull red. The Horicon, beyond, is a blend of gray-white 
and pale blue, reflecting the sky, which throughout bears these 
tones of summer above the landscape marked by advancing 
fall. The farther shore is visible toward the left. 


Signed at the lower right, H. D. Martin, 1884. 


Purchased from the artist. 


Boys. Wy. Arcelor v2 


No. 42 


FREDERICK 8S. CHURCH, N.A. 
American 1842— 
THE WITCH'S DAUGHTER 
(Water Color) 


Height, 2114 inches; width, 13 inches 


THE witch’s daughter is a fair and seductive young woman, and 
she sits comfortably in the deep crescent moon, looking down 
at a wide-eyed owl perched beside her. He is brown, and she 
wears a sleeveless pale green gown of flimsy material, which 
trails below as they float through the clouds. 


Signed at the lower left, F. S. Cuurcu, N. Y., 1881, copyricnr. 


Purchased from the artist. 


Etched by Mr. Church for “L’ Art,” Paris. 


J ooo. Gh 6G Bea: 


No. 48 


JOHN LA FARGE, N.A. 
American 1835—1910 


MOUNT TOHIVEA 


(Water Color) 
Height, 1544 inches; length, 21% inches 


A MOUNTAINOUS landscape in sunshine and partial shadow, in 
many tones of green, from tending toward blue to the lightest 
of green on the far, high mountain, which is in direct sunshine. 
In the immediate foreground are seen the tops of palms and 
tropical vegetation. The robin’s-egg sky has many mottlings, 
on both its blue and green trends, and white clouds, with other 
clouds tinged as with reflections of the greens below, in lieu of 
the sunset tones of other climes. 


Mr. La Farge regarded this work as one of his best. 


It was done 
in two hours from his window. 


From the La Farge sale, American Art Association. 


fozs 7 


ES 


No. 44 


HOMER D. MARTIN, N.A. 
AmeERicaAn 1836—1897 


ON THE SEINE 
Height, 1214, inches; length, 2234 inches 


THE peaceful Seine flows about a bend or angle of land which 
forms the foreground, green with tangled grass and some wild 
brush growths where bits of color mingle. Here, too, is a short 
line of tall and slender trees, devoid of leaves or branches, 
save that each has a small tuft of foliage at its high top. 
Across the river a group of industrial buildings lines the low, 
flat bank, back of which is a wooded mound in a line of hills, 
with a church spire rising over one of them, its shadow re- 
flected in the stream near a laden sloop with yellow sails, which 
is also reflected in the water. The sky is filled with white and 
gray clouds, save for one long streak of turquoise. 


Signed at the lower right, H. D. Martin, 


Purchased from Wm. Schaus. 


fz 100. : ¢ A torr TID 


No. 45 


ALEXANDER H. WYANT, N.A. 
American 1836—1892 


EARLY MORNING 
Height, 15 inches; length, 22 inches’ 


THERE is a bright white sky of early morn, with mists or tenu- 
ous clouds sometimes hanging low over a line of hills which 
forms an almost level horizon, with peaks toward the right. 
A stream reflects the light sky, on the left, and near a bare, 
all but dead, birch on its bank a figure with a gun or stick is 
seen. The land of the middle distance and foreground is a 
broken pasturage of yellow-brown and green fields, with black 
and brown rocks, where red, black and white cows are grazing. 


Signed at the lower right, A. H. Wyant. 


Purchased at the Wyant sale, 1894. 
Exhibited at Berlin and Munich, 1910. 


$ 1,528. {op ae 


No. 46 


RALPH ALBERT BLAKELOCK 
AmeERIcAN 184'7— 


THE INDIAN HUNTER’S CAMP 
Height, 1534 inches; length, 2334 inches 


£\ CLEARING at the edge of a wood, well cluttered with under- 
growth, is partly green and sunlit but shows brownish and 
red patches and dark shadows, about its uneven surface. 
Hedging it in the middle distance are irregular trees, singly 
and in clumps, forming something of an arboreal screen 
through openings in which distant blue mountains forming the 
skyline are seen under grayish-white clouds which become 
darker overhead. At the left an Indian hunter has raised his 
tepee and sits before it, squatted on the ground in his blanket, 
his squaw standing to one side, a red garment over her 
shoulders and her papoose at her knee. The light is lessen- 
ing toward the close of day. 


Signed at the lower right, R. A. Buaxetock. 


Purchased from S. S. Dustin. 


$ 6.20. SL ID 


No. 47 


JOHN HENRY TWACHTMAN 
American 1853—1902 


NEW YORK HARBOR 
Height, 14 inches; length, 241% inches 


A COMPREHENSIVE view of a modest stretch of the waterfront 
of busy and varied New York a few years ago. Vessels of 
moderate size and many types are lined up along the shore, 
which extends back on the left and across the picture. In 
the foreground on the left, before a red-roofed wharf building, 
a black schooner is tied to the pier, unloading, her heavy main- 
sail up, and jibs and fore-staysail merely stopped-down but 
not furled, in the quiet air. Tugs, lighters, scows and 
steamers make up the mixed company at the wharves, occasion- 
ally a tall factory building rising over them above the lower 
buildings of the waterfront, and at the right in the distance a 
warship is indicated by her white fighting-tops. The water 
is gray and mottled, and a white sail and one or two small 
boats are seen on it under a gray sky with faint traces of blue. 


Signed, but the signature not wholly decipherable, at the 
lower left. 


Purchased from William J. Baer. 


$650. haf, Show pio 


No. 48 


LOUISE COX, A.N.A. 
(Mrs. Kenyon Cox) 


LITTLE MISS MUFFET 
Height, 24 inches; width, 2034 inches 


Tus little miss is seated cross-legged on a crimson cushion on 
the library floor, with her back very straight, and looking 
straight in front of her toward the spectator, her hands clasped 
in the lap of her white, pink-flowered dress. 'The short dress 
has short, puffed sleeves, and her arms and lower legs are bare. 
Her loosened brown tresses hang over her shoulders, and she 
wears white shoes. The background is shelves of books, and a 
screen with blue ground and golden-brown ornament. 


Signed at the lower right, Loutst Cox, 1906. 


In the last exhibition of the Society of American Artists. 


Purchased from the artist. 


. 


i Se Go Me eee 


No. 49 


R. SWAIN GIFFORD, N.A. 
American 1840—1905 


SUMMER 
Height, 1734 mches; length, 2534 inches 


A BROAD meadow is spread out before the eye, dark green in 
transparent cloud-shadow, a spot of the foreground lightened 
by a gray note of barren earth, or water. In the middle dis- 
tance two low and leaning trees grow close together, and oc- 
casional bushes dot the meadow, still within the shadow; while 
to the right, extending to the distance, fields of rising land are 
yellowing in the sunshine. The sky is filled with violet-gray 
clouds that part in places for the sunlight to come through, 
and in the distance is suggested the sea or a bay, the sunshine 
lighting a cliff or bank of its shore. 


Signed at the lower right, R. Swain Girrorp, ’88. 


From the R. Swain Gifford sale, American Art Association. 


Purchased from Louis Katz. 


£ ogo. obra Copter 


No. 50 


DWIGHT WILLIAM TRYON, N.A. 


American 1849— 
SPRINGTIME 


Height, 20 inches; length, 241% inches 


Tue grass of a flat field or pasture is green and full across 
the foreground, and in the middle distance is interrupted by 
an extended patch of the brown, upturned earth, where a 
farmer is plowing. He is engaged in opening a furrow on 
the nearer edge of the plowed patch and is working to the 
left behind a gray horse. On the farther edge of the plowed 
land a fire of fagots has been lighted, and a figure is dis- 
cerned near the rising blue smoke. On a low but steep acclivity 
in the distance slender trees grow thickly and are putting 
forth their new foliage, the whole seen in a veil of mist or haze 
of a spring day. 

Signed at the lower right, D. W. Tryon, 1897-9. 


Purchased from the artist. 


$1 se. C.C."Dooms 


No. 51 


CHILDE HASSAM, N.A. 
AMERICAN 1859— 


AT THE PIANO 
Height, 24 inches; length, 26 inches 


AGAINST a pale olive wall, a young lady with luxuriant hair 
almost as dark as her carved rosewood piano is seen in profile 
to the left as she sits practising at the instrument, one hand 
on the ivory keys, the other steadying her music. She is clad 
in an unadorned white dress with dove-gray and lavender- 
rose tints and elbow sleeves. On the piano is a bouquet of 
pink roses, and on the brown wood floor at the side a flourish- 
ing green bush in a blue jardiniére. A mahogany table be- 
hind the player holds other cut flowers and a metal candle- 


stick. : 
Signed at the lower right, Cuitpe Hassam, 1908. 


Purchased from the artist. 


$2050. aN he 


No. 52 


JOHN HENRY TWACHTMAN 
AmeERIcAN 1853—1892 


THE LITTLE BRIDGE 
Height, 25 inches; width, 25 inches 


UNDER a low gray wooden footbridge the blue sparkling waters 
of a brook are mottled with sandy-brown reflections, and are 
flecked with white where sunlight touches the dancing ripples 
farther on. In the center the bridge is roofed over in the 
form of an open summer-house, in the midst of a light but 
luxuriant wood—an isolated retreat above the cooling stream, 
the foliage growing to the water’s edge exhibiting many notes 
of green in its midsummer abundance. 


Signed at the lower right, J. H. TwacuTman. 


Purchased from S. S. Dustin. 


$e, Asn Tacheth 


No. 53 


CHARLES MELVILLE DEWEY, N.A. 
AMERICAN. 1851— 


EVENTIDE 
Height, 22 wmches; length, 30 inches 


SHEEP are at pasture in a hillside field where the grass is deep 
and green, streaked with yellow weed. <A thick grove throws 
a part of the pasture and a farmhouse into the shadows of 
approaching evening, while here and there exposed portions 
of the landscape and the higher tree-tops reflect a glow from 
the sunset. Light clouds-tinged with many colors fill the upper 
sky, above heavy mixed bands along the horizon. 


Signed at the lower left, Coartes Metvitte Dewey. 


a. OL fe oe oe 
jie 


No. 54 


CHILDE HASSAM, N.A. 
American 1859— 


ISLES OF SHOALS 
Height, 25 inches; length, 30 inches 


THE sunshine is bright over a turquoise sea, though far away 
toward the high horizon a light summer haze is suggested. In 
the foreground the water works its way among irregular low 
rocks of the shoreline, which extends outward on the left, 
where the Isles of Shoals are seen across a grassy and rocky 
point. The rippling water in the foreground shallows, the 
weathered and colorful rocks, and the varied herbage of the 
point, all are iridescent and coruscating in the brilliant sun- 
light. A sailboat is seen off shore, and another far in the dis- 
tance beyond the Isles. A few lavender-pink cloud patches 
float in the yellowish-gray sky. 


Signed at the lower left, Curtpz Hassam, 1889. 
Purchased from Louis Katz. 


£ 1 500. Lire Woe both. 


! 


No. 55 


ROBERT REID, N. A. 
AmeERIcAN 1863— 


THE VIOLET GOWN 


Height, 25 inches; length, 30 inches 


In the deep loose grass of a green field a red-haired young 
lady has thrown herself down, with her feet doubled partly 
under her at her left, and leans somewhat upon her right hand, 
which rests on the turf beside her. She is seated against a 
bank of flowering bushes, purple rhododendron mingling with 
white and yellow blossoms and the tangled greenery of the 
leaves, and the skirt of her wavy violet gown extends out of 
the picture. She wears a white bodice and her fine face is 
seen in profile. 

Signed at the lower left, Ropert Rep. 


Purchased from the artist. 


£550. (pelph Wang 


No. 56 


J. ALDEN WEIR, N.A. 


AMERICAN 1852— 
MIDDAY 


Height, 34 inches; width, 24 inches 


A CORNER of a farmyard is shown on a clear and still summer 
day. The sky is a deep blue, and the sunlight is bright, but 
in a slightly hazy atmosphere of heated noontime. In the 
foreground the grass is green and well worn down, and in 
the middle distance toward the right it is yellow in the sun- 
shine before a fenced-in corner of the barnyard, while toward 
the left an end of the yellow barn comes into the picture. In 
the background is a mass of light green trees, and a branch of 
a tall tree whose trunk is unseen projects across the sky over 
the foreground, where two chickens—a gray and a red one— 
are pecking in the grass. 


Signed at the lower right, J. ALpEN Wetr, 791. 


Purchased from the artist. 


$550, Huge Receemgen 


IND. 7 


FREDERICK J. WAUGH, N.A. 
AmERIcCAN 1861— 


A MISTY DAY, MONHEGAN 
Height, 25 inches; length, 30 inches 


THE ocean in slow but massive movement comes up from the 
right with slightly ruffled surface, its ponderous inertia carry- 
ing it up the sloping rocky shore at the left, where the suc- 
cessive low waves-are spent and broken, recoiling in lassitude in 
a greenish-white and spreading foam. The rocks are dark on 
the sunless day, and a dense mist is coming in over the sea, 
so thick that outlying rocks in the distance—where the white 
spray dashes high above them—are but dimly seen across a 
stretch of somber, greenish-blue water. ‘The whole scene is 
under a dull gray, murky sky, which blends with the mist. 


Signed at the lower right, Waueu. 


Purchased from the artist. 


$250. It dparenrgon | 


No. 58 


WILLIAM ROWELL DERRICK 


AMERICAN, CONTEMPORARY 


EARLY MORNING—SQUAM LAKE, 
NEW HAMPSHIRE 


Height, 22 inches; length, 30 inches 


Tue whole foreground is a silvery-gray expanse of water, 
dappled with the half-shadows of errant ripples which ruffle 
its otherwise placid surface. The shore, in the middle-ground, 
is low and green, and grown with birches and other slender trees 
whose lithe bodies bend irresolutely, their feathery foliage of 
green and yellow vibrating lightly in the gentle morning air. 
Toward the right the shore is interrupted by a narrow outlet, 
with blue water seen beyond, and across the background a 
distant undulating range appears an indefinite mass of purple- 
pink, beneath a blue and gray-white morning sky warmed by 
faint orange touches. 


Signed at the lower left, W. R. Derrick. 


Purchased from the artist. 


f 180. Martin ie 


* 


No. 59 


CHARLES MELVILLE DEWEY, N.A. 
American 1851— 


HOMEWARD 


Height, 26 inches; length, 3034 inches 

Ir is late, the sun has gone, and dusk is settling over the land, 
throwing into shadow the depths of a small grove on the right, 
and a sheltered farmhouse, one corner of which just appears at 
the left of the picture, with smoke curling from its chimney. 
The plain between is indistinct in the distance, but the fore- 
ground is still partly lighted by reflections of the sun’s late red 
rays, and here a farmer is seen, in an old red coat, following 
his flock of sheep toward the house. Straight ahead, over a 
low line of far-away faintly lavender hills, the full moon is 
rising, a pale yellow orb, out of horizon mists. 


Signed at the lower right, CHartes Metvitte Dewey. 


Purchased from the artist. 


$00. i peer Gee Boorg (2) 


No. 60 


ROBERT REID, N.A. 
AMERICAN 1863— 
THE POOL 
Height, 30 inches; width, 25 inches 


In the midst of a green thicket of tangled undergrowth a rill 
makes its appearance, high in the picture, bubbling from cloven 
rocks, and winds and tumbles down their uneven edges to form 
a pool below in the foreground. The dense green foliage and 
its entanglement of gray and brown trunks and stems make 
a solid background surrounding the small rocky gorge of the 
miniature waterfall, and the sunlight plays on the exposed 
leaves and on the brown and purple rocks, while the pool mir- 
rors a confusion of their colors. A symphony of rich tones. 


Signed at the lower right, Ropert Rew. 


Purchased from the artist. 


fai. oy? tp rin gen 


No. 61 


HENRY W. RANGER, N.A. 
- American 1858— 


SUNSET AT BERTHIER 
Height, 18 inches; length, 251% inches 


A POND occupies the center of the foreground, its outlet extend- 
ing toward the left. Water plants grow thickly near its edges, 
and a peasant in a blue blouse has ridden a brown horse into 
the water in a clear space near its center, to drink. The sur- 
rounding meadow is green, and bordered at the right by a 
thick clump of trees, while detached trees cross its farther side, 
connecting with a wood at the left. The pond is partly in 
shadow of the trees, a field in the distance is flooded with sun- 
light and red-roofed buildings appear there, and the sky is a 
blaze of yellow with touches of red, its sunset hues being re- 
flected in the water. 


Signed at the lower left, H. W. Ranegr, 1905. 
Purchased from James Rice, Jr. 


$945. Obnahacn = <p 


No. 62 


J. FRANCIS MURPHY, N.A. 
AMERICAN 1853— 


A HILLSIDE FARM 
Height, 24 inches; length, 36 inches 


A wHITeE sky mottled in light gray is over the whole hilltop, 
and oyer the slopes, which are yellowed as with stubble. At 
the apex, and at the lower left, the landscape is brown as with 
woods or brush. Across the picture at the foot of the hill runs 
a river of malachite-green hue—or a band of curiously green 
herbage—with a building on the far side and a group of build- 
ings on the nearer border, with bare trees at either side of the 
group and thin birches at the right. The narrow green fore- 
ground is yellowed over, in seasonal sympathy with the 
stubbled slopes beyond. 


Signed at the lower left, J. Francis Murpny, 1901. 


From the Society of American Artists’ exhtbition. 


No. 68 


ALEXANDER H. WYANT, N.A. 
AmeERIcAN 1836—1892 


A WET AFTERNOON 
Height, 26 inches; length, 8914 inches 


Ir is a showery day, with no storm-clouds visible, but with the 
dull gray vapor in nebulous masses pervading the upper 
atmosphere, and ever ready for precipitation. Near the hori- 
zon are lighter clouds, but they, too, verge upon the gray. 
The landscape is green, and the herbage dank about a pool in 
the foreground to which the land slopes broadly down. Here 
bits of color appear amongst the verdure. On the right, ir- 
regular bunches of trees extend in a wavering line toward the 
background, and on the left are scattered lighter trees—green, 
but touched with brown and yellow—and all wet and still in 
the silence of the open country on a rainy, breezeless day. 


Signed at the lower left, Wyanv. 


Purchased from William Macbeth. 


$3,g50. Coat Fd. iAgses 


No. 64 


GEORGE INNESS, N.A. 
American 1825—1894 


THE FARMHOUSE 
Height, 2534 inches; length, 2934 inches 


THE green grass is long, loose, uncared-for and luxuriant in a 
farmyard bordered by some thick green woods. All over the 
foreground is the deep, verdant carpet, here and there the 
surface further softened by the feathery wisps of seed-blades, 
and all in transparent shadow, while sunshine falls upon trees 
at either side of a wandering path and reveals at the left the 
outlines of the farmhouse, partly screened by bushes and 
shaded by trees. In the path, just within the border of the 
shadow, a figure is seen. The distant sky is a deep, intense 
blue, where it can be seen between masses of cumulus 
clouds, which glow yellow in the warm sunlight, beyond the 
vellowish-green of the plentiful trees. 


Signed at the lower right, G. INNEss. 


Purchased from George H. Ainslie. 


b/ SEYOp Nettie. a 
} 


No. 65 


HENRY W. RANGER, N.A. 


AmeERIcCAN 1858— 


SPRING PASTURES 
Height, 2734 inches; length, 3584 inches 


A VALE between rolling hills extends back through the center 
of the picture, fresh and verdant and showing here and there 
touches of color in the plant growths that mingle with the 
erass. The hills are crossed by stone fences which divide the 
fields as on the hills of Connecticut, and along one fence a few 
trees are growing, their shadows thrown on the hillside at the 
left. A hill to the right of the foreground puts the nearer 
part of the vale in partial shadow, where a field road ruts the 
turf, and up the vale in the middle distance two figures appear 
in the sunlight. 

Signed at the lower left, H. W. Rancer, 1905. 


Purchased from the artist. 


f I B26. oF rere Rosy 


Rites ceied 


No. 66 


FREDERICK J. WAUGH, N.A. 
AMERICAN 1861— 


FROM GIANT'S STAIRWAY, BAILEY’S ISLAND 
Height, 30 inches; length, 40 inches 


THE spectator looks out upon a quiet sea, whose waters are 
broken only as they approach a gently sloping shore, and then 
only into mild patches of foam too shallow and spreading to be 
called breakers. On the left and across the edge of the fore- 
ground brown and broken rocks of the shore come into 
the picture, their weathered surfaecs showing tones of dull 
red and blue and green. Up and down their slanting sides 
and amongst their jutting projections the restless white 
foam moves in ceaseless eddies, and the water in the shallows 
is a light yellowish-green, becoming blue farther out, while in 
the boundless distance over the deep a vague violet haze seems 
to lie, extending to a high horizon under a pale blue sky that 
is strewn with feathery white clouds. 


Signed at the lower right, F. J. Waueun, 1906. 
Purchased from the artist. 


Gog hehe Phorm} LOT 


gs 


No. 67 


GEORGE GLENN NEWELL 
American 1870— 


THE TOILERS 
Height, 30 inches; length, 40 inches 


OXxEN dragging a plow are toiling over a rolling hillside field, 
the overalled farmer with both hands grippimg the plow- 
handles and carrying no goad. ‘The yoked beasts have 
glistening brown coats marked by white patches. A large part 
of the field is brown with the freshly upturned earth. Distant 
hills are of purple tone, and lavender-gray cloud masses course 
before a bright blue sky. 


Signed at the lower right, GEorce GLENN NEWELL. 


Purchased from the artist. 


$ too. ‘x9, Chark 


No. 68 


HENRY W. RANGER, N.A. 
AmERICAN 1858— 


THE SPRING-HOLE, HALEY S WOODS 
Height, 36 inches; width, 28 inches 


A SWAMPY ravine or cut between low banks extends straight 
back through the center of the picture to an indistinct middle 
distance, high round-topped hills being seen afar against the 
horizon. ‘The banks at either side are wooded; the lower land 
has been cleared. A pile of logs sawn for firewood stands at 
the right in it, beside a pool of the foreground which reflects 
the light of the sky and the forms and tones of the green and 
yellow herbage on its shores or banks. Sunlight toward the 
close of day illuminates the low clearing and the tall bordering 
yellow and green trees of the banks of the cut, and gives 
touches of sunset colors to the white clouds which tumble in 
fluffy masses in the sky. Up the ravine at the side two figures 
of workmen are visible. 


Signed at the lower left, H. W. Rancer. 


Purchased from the artist. 


$ 1,650. Asm Macherk 


No. 69 


IRVING RAMSAY WILES, N.A. 
American 1862— 


THE PURPLE SHAWL 
Heighi, 48 inches; width, 28 inches. 


A FAIR young girl of petite figure is standing at graceful ease, 
_ turned toward the right but facing the spectator, as she turns 
her small head to the front with gently arched neck and a 
slightly downward gaze. She is seen at three-quarter length, 
and wears draped low over her shoulders and light décolleté 
gown a rich purple lace shawl, which exposes her delicate 
bosom. With her elbow at her hip, she has raised her hand and 
rests the fingers lightly at the point of the corsage. Her 
reddish-brown hair escapes in light, curling strands from her 
blue and gray mob cap, and darkens in the shadows, the light 
falling from the left on her shoulders and face. She is seen 
against an olive-gray wall with a rambling flower and scroll 
pattern in low tones of several hues. 


Signed at the lower left, Invinc R. WILEs. 


Purchased from the artist. 


No. 70 


FREDERICK J. WAUGH, N.A. 
AMERICAN 1861— 


SHA AND FOAM 


Height, 36 inches; length, 47 inches 


Mieuty billows heave themselves from the left against a huge 
ledge of rocks which extends across the picture, and over 
whose crest little of the dull blue sky can be seen. As one 
great wave breaks on the ragged land its tossing spray mounts 
high out of the canvas, while its rebounding mass, dashed into 
swirling foam, comes tumbling forward into the seething 
turbulence of its smashed and retreating predecessors and new 
oncomers. ‘The jagged and irregular rocks are purple and 
brown and yellowish-gray, the waters a deep rich green where 
unbroken, passing through lighter and yellowish-green tones to 
the white of the dashing spray and swirling foam, in an inter- 
esting play of diffused light. 


Signed at the lower right, Wauen. 


Purchased from the artist. 


$00. Sruge Racsmgen 


No. 71 


WILLIAM GEDNEY BUNCE, N.A. 
AMERICAN 1840— 


EVENING AT VENICE 
Height, 33 inches; length, 55 inches 


Water forms the entire foreground, and in the center of the 
picture extends back to the low horizon where the sun is set- 
_ting. The vast expanse of the heavens is one blaze of splendor 
as the sunset rays split upon its vaporous striations, and the 
responsive water below is turned to a mirror almost equally 
gorgeous—the predominant colors being a fiery red in the 
center and green tones toward the sides. At either side across 
the water the city buildings, with sundry domes and cam- 
paniles, stand up against the sky, before them appearing many 
sailboats in the partial shadow of the buildings against the 
light. 


Signed at the lower left, GepNEY Bunce. 


On the back is the date 1903. 
Purchased from Cottier & Co. 


% je 
f2cco. ae G. & ¥. LE LA 


'ENING’S SALE 


AVENUE, 58TH TO 59TH STREETS 


_ BEGINNING AT 8.15 0O’CLOCK 


Wich 


ae 
i BS 4 1) optim 


~ 


No. 72 


JOHN HENRY TWACHTMAN 
American 1853—1902 


STREET SCENE, LIMBURG, GERMANY 
(Water Color) 
Height, 8 inches; length, 9 inches 


THE narrow street of an old German town, with buildings 
abutting irregularly on either side, extends straight before the 
spectator to a tall house or church which stands athwart its 
farther end. The buildings are gray, like the sky and the road- 
way, the nearer ones on the right being low with steep gabled 
roofs of slate color. Shadows fall across the pave from the 
right, in the foreground patches of grass appear on either side, 
and an old woman in blue, buff and red comes forward walking. 


Signed at the lower right, J. H. T. 


Purchased from William J. Baer. 


(ie Ae: ee 


No. 738 


EDGAR SCUDDER HAMILTON 
American 1869—1903 


ANDROMEDA 
(Water Color) 


Height, 10 inches; width, 4 inches 


THE daughter of Cassiopeia, her ankles shackled with broad 
bands of iron and her hands bound behind her to the gray, 
brown and green-incrusted rock, stands with her feet on the 
wet beach, the green, blue and white-foaming waves lapping 
them. The flesh tones of the graceful nude figure are mottled 
with reddish reflections of the rocks and a faint tint of yellow. 
Her head is thrown far back, her face bears an agonized 
expression, and her long red hair is swirled by the winds. 


Signed at the lower left, E. S. Haminton, 95. 


Purchased from the American Water Color Society’s exhibition. 


foo. 4. Grae 


~ 


No. 74 


CHARLES HENRY MILLER, N. A. 
AMERICAN 1842— 


EVENING 
(Panel) 


Height, 584 inches; length, 1134 inches 


EXTENDING down the picture, a river or canal is bordered by a 
crude, uneven road, leading from the spectator toward the 
horizon. The landscape is low and flat, and save for the green 
grass edges of the road, appears a dull brown in the fading 
daylight, warmed by reds of a brilliant sunset which is seen 
through apertures in a screen of trees across the middle 
distance. ‘The sunset hues are reflected in the water with tones 
of the strong white clouds of the higher sky. A boat with 
figures appears in the stream, and a distant building in the 
shadows along the road. 


Signed at the lower left, Cuas. H. Miturr. 


Purchased from the artist. 


(OS. fet i donmeg 


No. 75 - 


RALPH ALBERT BLAKELOCK 
AmERIcAN 184'7— 


AUTUMN 
(Panel) 


Height, 514, inches; length, 91 inches 


On the left five trees of twisted growth, the nearer sentinels of 
an open forest, stand at the edge of a shallow pool in the central 
foreground which they help to cast into shadow. In the right 
of the middle distance a lesser group of similar number stands 
detached in the open, at the verge of a green field, in full sun- 
light. The sun shines also on the forest in the background, seen 
under a light sky. 

Signed at the lower right, R. A. BLAKELOcK. 


of 2 ae 


faso. 


No. 76 
J. FRANCIS MURPHY, N.A. 


AMERICAN 1853— 


SHPTEMBER 
Height, 8 inches; length, 12 inches 


In the foreground is a green field, lightened by a pool reflect- 
ing a white cloud in a sky where grayish-white and smoky-gray 
clouds move before the pale blue expanse. Green trees to the 
right of the pool are beginning to turn, with the approach of 
autumn, as have tall grasses of the meadow; and gray barns 
and other buildings are seen in the middle distance. 


Signed at the lower left, J. Francis Murpny, ’99. 


Olona Roc. ee 


£$ eso. 


No. 77 


ALEXANDER H. WYANT, N.A. 
American 1836—1892 


A CLOUDY SUNSET 
Height, 9 inches; length, 14 inches 


POWERFUL is the sky in this canvas, the low-lying cloud-masses 
in slow, impressive motion and deep, somber coloring taking on 
a majestic appearance as they encroach upon the field of vision, 
shutting out the light of a bright white sky, its white clouds 
touched with a purple-pink from the unseen sunset. The 
landscape itself is somber, and remote in its suggestion, a wild 
fen with the details of its low trees and shrubbery lost in the 
darkening shadows, one bright yellow spot only appearing in 
the foreground near some gray, shallow water. The oncoming 
nimbus clouds from the right seem almost to touch the low hills. 


Signed at the lower left, A. H. Wyant. 


From the Wyant sale, 1894. 


Beas 8S. Fabra 


No 78 


ALBERT P. RYDER, N.A. 
AMERICAN 1847— 


EVENING GLOW—THE OLD RED COW 
Height, 734 inches; length, 9 inches 


In the distance in the middle of a broad, yellow-brown, per- 
fectly flat field, a farmhouse stands on the edge of a grove, the _ 
trees the only growths that rise above the ground-level any- 
where over the prairie-like landscape. ‘The countryside is 
darkening, but the house-group is accentuated in the dull after-. 
glow of the past sunset. In the transparent shadow of the 
foreground a red cow heavy with milk wanders cumbrously 
toward the house, her head lowered to take still an occasional 
nibble at the dark grass. 


Purchased from Cottier & Co. 


ff SAS, Cae | PR Oe ese. 


No. 79 


WILLIAM EDGAR MARSHALL 
American 1825—1906 


ON THE SEINE 
(A Tile) 


Height, 10 inches; width, 914 inches 


ON a low, dull, brownish-green and uneven stretch of the 
Seine’s bank, three short, wispy trees grow in a group in the 
center of the picture. Beyond them is seen the silvery-white 
river, coursing placidly, and across it the green, blue and gray 
hills of its farther bank. The sky is massed with mountainous 
white clouds. Near the group of three trees a stout peasant 
woman in a white cap is looking out over the river. 


Purchased from Mrs. Marshall 


SO. mn? Lprrengor 


No. 80 


RALPH ALBERT BLAKELOCK 
American 184'7— 


AN INDIAN CAMP IN THE WOODS 
Height, 71% inches; length, 81 inches 


THE woods are a dark, rich brown, verging in parts upon 
black, and one finds himself within the border of them, near a 
sloping hillside on which some red men have made their camp 
for the night. Their camp fire is lighted and the figures of 
some of the Indians stand out in the pale flare as the fire 
sputters beneath the tripod of sticks which has been built to 
suspend kettle or joint. A smooth lake is glimpsed through 
an opening in the forest, and beyond it the full, deep yellow 
moon is rising out of hindering clouds. 


Signed at the lower right, R. A. BLaKe tock. 


From the Frederick S, Gibbs Collection. 
Purchased from S. S, Dustin. 


No. 81 


ROBERT SWAIN GIFFORD, N.A. 
American 1840—1905 


NEAR BUZZARDS BAY 


(Panel) 
Height, 634 inches; length, 1814 inches 


A meapow full of color extends from the foreground down to 
the distant blue salt water of the bay, under a sky filled with 
light and smoky-gray clouds. The water is visible only at the 
right, the distance at the left being occupied by a dense wood. 
In the middle distance toward the left a few detached trees 
with bushy tops rise at the border of the meadow, near a hay- 
rick and the rail fence that marks the line of the next field. 


Signed at the lower right, R. Swain Girrorp, 779. 


Purchased from the artist. 


No. 82 


ALEXANDER H. WYANT, N.A. 
AmeERIcAN 1836—1892 
MYSTIC RAYS 


Height, 814 inches; length, 151 inches 


AN open moorland country, flat and green, extends from a 
broad foreground which is bordered at the left by a gently 
rising land to a far, mysterious distance, under a pearl-gray 
sky mottled with darker, brownish tones, with white striations 
appearing in its lightest spot. The hour seems to be early 
morning, with the landscape coming into being slowly, its 
details still without sharpness of outline. In the middle 
distance toward the left, amidst a small group of trees, a 
building is partly discernible in the still and almost shadowless 
gray atmosphere. 

Signed at the lower right, A. H. Wyant. 


From the Wyant sale, 1894. 
From the Frederic Bonner Collection, 1900. 


FAR. Side Sonia 


No. 83 


RALPH ALBERT BLAKELOCK 
American 1847— 


IN THE CATSKILLS 
Height, 8 imches; length, 11 mches 


Loox1né through a deep, umbrageous arch on the outskirts of 
a wood, the spectator’s eye travels far over distant fields to 
where blue-capped summits appear under a high, bluish-white 
horizon, the gray clouds above yellowed in the sunlight. 
Beneath the leafy canopy of the foreground the woods and 
undergrowth, in partial shadow, reveal rich mahogany and 
olive tones. A glint of sunshine accentuates the short trunks 
of two trees at the right, and tips the ripples of a rivulet in the 
center with white. 


Signed at the lower right, RatpuH ALBERT BLAKELOCK. 


Purchased from William Macbeth 


By 5: A), ABE 


No. 84 


ROBERT C. MINOR, N.A. 
American 1840—1904 


AFTER SUNSET 
Height, 13 inches; width, 10 inches 


In a lush field in which a spring or pool appears in the near 
foreground, a figure is seen on the left—a woman in a white ~ 
cap, wandering along alone in the twilight. The field is all but 
surrounded by trees, a tall slender feathery one leaning over the 
spring from the right, and on the left standing a shorter one, 
while across the background is a thick wood or grove. The 
trees there are green below a glowing orange sky, that aloft 
takes the mottled tones of malachite against which is seen an 
occasional floating patch of flame-colored cloud. The meadow 
and the pool are in a subdued light. 


Signed at the lower left, Mrinor. 


Purchased from Louis Katz. 


$f QQ0, C Lorn Cae 


No. 85 


SAMUEL COLMAN, N.A. 
AMERICAN 1833— 


MOONLIGHT NEAR ROME 
Height, 9 inches; length, 13 inches 


THE full moon, very white in the early night, is emerging from 
a patch of nebulous clouds which still veil without concealing 
the lower segment of the disk, other portions of the vaporous 
mass impinging upon the periphery of the orb higher up—the 
cloud-vapor smoky in the evening light away from the moon 
and tinged with a rose suggestion above and below her. In 
the azure expanse about her—she is in the center of the picture 
—the stars spangle the blue, high aloft. Below, over the earth, 
the dusk has deepened until details are obscure. A tall pile of 
architecture of gray, red and brown tones at the left rises into 
the light, boats and people in them being discerned in the 
gloom at its base, in the river which forms the foreground. 
This is crossed by a stone bridge of numerous arches, its road- 
way lighted by fixed lamps which glow before shadowy domes 
and roof-lines of the dim distance. In the immediate fore- 
ground the stream’s rippling surface is lighted by yellow-white 
reflections of the emergent moon. 

Signed at the lower right, S. Cotman. 


4 


Purchased from S. P. Avery, Jr. 


ISO. Ls, Mart ber, 


No. 86 


WILLIAM R. O7DONOVAN, A.N.A. 


AMERICAN, CONTEMPORARY 


THE BATHERS 


Height, 14 inches; width, 11 inches 


A LANDSCAPE painting in tones of closely woven tapestry. ‘Two 
women have come down to the water to bathe, and they stand 
at the left in the partial shelter of a clump of tall bushes near 
the water’s edge. One has partly disrobed, and her companion 
stands in a hesitating attitude at her shoulder. To the right a 
bushy tree on a stunted trunk raises its rounded top toward a 
confused sky of neutral tones, and is reflected with notes of the 
sky in the peaceful water, which is marked by the gentlest of 
ripples. The sloping bank and the distance are a carpet and 
curtain of vague color, with a predominant green tinge and 
attractive quality. 


Signed at the lower left, Witt1am RupotPeH O’Donovan, A.N.A. 


Purchased from the artist. 


£ Go. Lom Sac beth 


No. 87 


GEORGE DE FOREST BRUSH, N.A. 
American 1855— 


LEDA AND THE SWAN 
Height, 1434 inches; width, 1134 mches 


SEEN against a conventional outdoor landscape or forest back- 
ground of dark tones in which brown predominates, Leda, nude, 
is seated, half-reclining on a pale yellow drapery gracefully 
disposed over a rock or bank, her shoulder resting against a 
leaning slender tree-trunk. She is facing the front, the figure 
turned somewhat toward the left, and while her left knee 
doubles back so that the foot is under the drapery, the right 
limb in natural extension reaches the ground well in front of 
her. The swan at her side, with wings just aflutter, raises his 
long neck and regards her, and she gazes musingly down on 
him, one hand at her side, the other crossing over her hips and 
meeting it near the swan’s neck. The light from the left falls 
full upon the carefully modeled figure and the swan. 


Signed at the lower right, Gro. pr F. Brusu, 1883. 


From the Stanford White Collection. 


£1300. (tte Bonmnok, Agenk 


ee a ae 


No. 88 


ALEXANDER H. WYANT, N.A. 
American 1836—1892 


SUNSET IN THE WOODS 
Height, 10 inches; length, 14 inches 


ALL is dark in the foreground, and one sees the trunks of varied 
trees at left and right a grayish-black, and light glinting from 
two small pools between them, over which one looks through an 
arboreal arch of deep dark tones to a middle-distance clearing 
aflood with sunset lights. A larger pool there is red in the 
glow, and more of the woods is seen beyond the clearing. 


Signed at the lower right, A. H. Wyant. 


Purchased from William Macbeth. 


$ Yas. Assr Paediatr 


No. 89 


ROBERT LAYTON NEWMAN 
American 1827—1912 
THE LETTER 


Height, 14 inches; width, 12 inches 


A YOUNG woman with a mass of light brown hair with reddish 
tinges, done in large loose knots or puffs at the back of her 
head, is shown at half-length, seated easily and facing the right. 
She wears a blue waist with a low, rounded neck-opening, the 
waist where the light strikes it taking the tone of the green 
turquoise. The light falls from the left full upon her shoulder, 
neck and cheek, leaving her features in partial shadow, and 
illumining the letter, which she is reading, held up before her 
in her left hand. 


Purchased from the artist. 


ae 
a 


£ 16d. 


No. 90 


OTTO WALTER BECK 
American 1864— 
THE CHILD MARY 


(Pastel) 
Height, 1534 inches; width, 101 inches 


SHE is shown head and shoulders, clothed in white, with a blank 
golden scroll across her chest, her slightly arched head seen 
against a broad decorative band of rich red which is surmounted 
by an arch of golden flowers or rosettes on a dull green ground. 
She faces the front, her sober blue eyes directed meditatively 
downward, her reddish-yellow hair falling to her shoulders. 


In an architectural and elaborately gilded frame. 


Purchased from the artist. 


ae 


Yi ou Dito. a eo 


No. 91 


FREDERICK DIELMAN, P.N.A. 
AMERICAN, CONTEMPORARY 


MAGNOLIAS 
Height, 16 inches; width, 12 mches 


In the midst of a magnolia grove, or bower of the beautiful 
white flowers and their rich green leafage, a handsome woman 
is portrayed at three-quarters length, standing, facing toward 
the left and looking with a staid but agreeable expression 
straight at the spectator. She is gowned in black, with gray 
suede gloves and a huge brownish-black hat trimmed with white 
plumes, the broad brim, rolled slightly up at one side, acting 
as a deep frame for her face, as the hat is tilted back and at an 
angle. Magnolia blooms are all about her and she holds one in 
her hand. 

Signed at the lower left, Freprerick Diretman, 1903. 


Purchased from the artist. 


$ ig Or foo Vs. 


No. 92 


ALEXANDER H. WYANT, N.A. 
American 1836—1892 


A CLOUDY EVENING 
Height, 12 inches; length, 16 inches 


STRAIGHTAWAY from the spectator a gray, rutted and uneven 
swamp road takes a slightly sinuous course toward the distance, 
through a low country of grass, bushes and a few trees, all now 
a yellow and olive-brown in the gathering dusk. There is a 
recurrence of the natural green in the distance, where there is 
more light, reflected from white clouds above, while those over 
the bulk of the landscape are a dark, dull smoky-gray. Afar 
off in the light are intimations of buildings, and an isolated 
frame structure suggesting a sportsman’s camp appears on a 
mound at the right. 


Signed at the lower right, A. H. Wyant. 


RS 
a) 
ie 
a 


[OQS, 


No. 93 


HOMER D. MARTIN, N.A. 


American 1836—1897 
AUTUMN 
Height, 17 inches; width, 12 inches 


BRANCHES with frost-reddened leaves lean over a river from 


trees on the left which grow close to the water’s edge and rise — 


above the picture. The strip of the bank at their foot is a rich 
brown, with lingering green suggestions and bright notes of 
red amongst the herbage. The river, which winds into the 
picture from beyond the trees, in a curve passing forward, is 
hemmed in by a forest of pine and other woods on the farther 
side, many of. the trees brown of foliage in front of the tall 
green conifers. ‘The water is a mirror of their blended reflec- 
tions, and catches also a light note from a blue sky sifted over 
with gray and white clouds. 


Pe eee 


No. 94 


WILLIAM GEDNEY BUNCE, N.A. 
AmeERicaNn 1840— 


MORNING IN VENICE 
Height, 1334 inches; length, 17 inches 


HERE is a group of luggers with yellowish-red, buff, brown 
and gray sails, at the right, and more of them toward the left, 
near what may be San Giorgio and its campanile, the scene 
apparently being on the Grand Canal but looking up and 
down, not across from the Piazzetta. Overhead is a confused 
sky of moving, mingling clouds, with none of the blue visible. 
Colorful reflections of the sky, clouds and sails cover the water, 
and more distant boats are seen. 


Purchased from Cottier & Co. 


Teese Asn, Waele. 


No. 95 


JOHN LA FARGE, N.A. 
American 1835—1910 


THE ASCENSION 
(Water Color) 


Diameter, 17 inches 


A prawine filled with brilliant color. The central Figure, in 
white robes toned with blue, green and yellow, a broad golden 
nimbus encircling the upturned head, floats upon mauve, pur- 
ple, green and yellow clouds, with arms full-extended, one 
above and the opposite below the shoulder, and folds of the 
drapery drooping from each. At either side are six angels, 
kneeling and standing, in groups of two, in worshipful atti- 
tudes of adoration and robed in varied colors. 


From the La Farge sale, American Art Association. 


$1. h. Hnsedlin = 8 


=_—Te- = bal natal 


No. 96 


WINSLOW HOMER, N.A. 
American 1836—1910 


ON THE TRAIL 
(Water Color) 


Height, 1214 inches; length, 1914 inches 


OnE looks into a wood, where a sturdy tree-trunk near the 
center appears a blue-gray, the trunks of slender trees darker. 
All about the thick underbrush shows the green and red and 
yellow of the woods and fields when the hunting season comes 
on. In the foreground is a huntsman with his eager dogs, one 
on either side of him, all peering into the brush. 


Signed at the upper right, Homer. 


Purchased from Gustav Reichard. 


Puyo. 9. Kreedhrs C 


No. 97 


ALEXANDER H. WYANT, N.A. 


AMERICAN 1836—1892 
SEPTEMBER 


Height, 12 inches; length, 18 inches 


TREES are turning brown and parting with their leaves, and 
the grasses of the fields are yellowing at the approach of 
autumn. A short, stumpy tree in the right foreground, sup- 
porting a bunch of foliage like a giant chrysanthemum, rises 
against white, billowing cumuli that lie over a low horizon, a 
dark mass before the sky. Near it is a sparse and feathery 
tree, growing taller than the bushes around it, on the high bank 
of a foreground pool—all in partial shadow. Beyond the pool 
are undulating fields, catching a share of sunlight late in the 
day. Above the white clouds are others of smoky-yellow, and 
in spots the azure is to be seen. 


Signed at the lower left, A. H. Wyant. 


$ Gas. heParel Ga DOor 10nd 


No. 98 


HOMER D. MARTIN, N.A. 
American 1836—1897 


OCTOBER 
Height, 12 inches; length, 18 inches 


Own the right are woods of slender trees but with abundant 
foliage, as in parts of the Adirondacks, and thick undergrowth 
darkens their mass. They are in shadow, and the wood is 
balanced in the composition by a few leaning and slender trees 
at the Jeft; while between, a silvery-gray lake or river is opened 
to view, and the light coming in renders the herbage of the low 
foreground visible. The tones of the leaves and surface 
growths are brown with red tinges over the underlying green, 
and in the foreground are touches of cheerful color, as of 
occasional wood flowers or berries, lingering on their stems. 
Beyond the water, low hills of the farther shore are indefinite 
under a gray sky where there is not much light. 


Signed at the lower right, H. D. Martin. 


Purchased from Gustav Reichard. 


Lso. foo. 2 Ole 


No. 99 


JOHN HENRY TWACHTMAN 
| American 1853—1902 


NEAR BRIDGEPORT, CONNECTICUT 
(Panel) 
Height, 14 inches; length, 18 inches 


A TIDAL river has a silvery-blue and gray aspect of much 
charm, under a sky with a gray band of dense cloud stretching 
along the horizon, above which a broad streak of azure inter- 
venes between the horizon band and looser strata of gray cloud 
that continue to the picture-top. The water occupies all of the 
foreground, reflecting not only the blue and gray of the sky 
but in its moving ripples the wavering lines of masses of homely 
piers and landing stages for small boats, built out into the river 
on spiles and with hinged bridges connecting with floats or 
flat-boats. Beyond them the shore shows green trees and old 
waterfront buildings. 

Signed at the lower right, J. H. Twacutmay. 


Purchased from S. S. Dustin. 


nS: iggy PY Ny APO 


No. 100 


WILLIAM GEDNEY BUNCE, N.A. 
AMERICAN 1840— 


SUNSET 
(Panel) 


Height, 1414 mches; length, 17 inches 


A DISTANT wood extending across the picture, along land that 
dips near the center and rises again, is black against a brilliant 
sunset sky laden with heavy clouds of deep-toned color and 
distinguished by an absence of red. The land before the woods 
is green and yellowish-brown, and on the right is a detached 
tree, brown in its autumn coat. Near it a bridge crosses a 
narrow river which in the foreground reflects the tones of the 
tree and the bordering uplands. 


On the back is a paster with the title and signed Wm. 
GEDNEY BUNCE. 


Purchased from Cottier & Co. 


$ loo. thes. ol. Manor 


No. 101 


J. FRANCIS MURPHY, N.A. 
American 1853— 


EARLY AUTUMN 
Height, 14 inches; length, 18°4 inches 


A GREEN meadow occupies the foreground and spreads largely 
over the picture, and is fresh and green though there is very 
little daylight, and neighboring trees and bushes are obscured 
by shadows. One small tree at the left retains its green like 
the meadow, but others near the line of a rail fence are dull 
and brown, the bushes below them in the sere, and the field 
growths around showing brown, yellow and red herbage inter- 
spersing the meadow-green. In the distance the gable end of 
a farm building shows white against a dark hill, over which 
there is a bright streak along the horizon under an otherwise 
smoky-gray sky. 


Signed at the lower right, J. Francis Murpny, 796. 


$i uco, (Wor Bann Aarons 


No. 102 


WINSLOW HOMER, N.A. 
egarican 1836—1910 


- A GOOD ONE 
(Water Color) 


Height, 1214 inches; length, 1914 inches 


A SOLITARY fisherman dressed for his sport, with his brown 
boat shoved against the wooded and sunny shore of a silvery- 
blue lake in the wilderness, has just had a fine rise, and his 
- light rod in his left hand bending roundly, he is preparing to 
: land his prize with the net, which he holds extended and ready 
in his right hand. The distant shore in the background is 
. wooded and dark under a light blue sky with grayish-white 
clouds. } 
Signed at the lower right, WinsLtow Homer, 1889. 


\ 


hy. Yrneeoller » Ct 


Purchased from Gustav Reichard. 


$1 oe. 


No. 103 


HENRY OLIVER WALKER, N.A. 


AMERICAN, CONTEMPORARY 


BOY AND DOVE 
Height, 19 inches; width, 1014 mches 


Or solid frame, full, round cheeks and broad forehead, with — 
his light hair mildly tousled, a small boy stands nude in tall 
green grass where field flowers bloom, before a dark green 
wood. He holds against his chest in an attitude of childish 
affection a gray dove whose wings are partly spread, and looks 
down at the bird, as he stands in an easy posture turned slightly _ 
to the left but facing forward, his body encircled by a narrow _ 
dove-gray fillet. 


Signed at the lower left, Henry Otiver Watrker, 1888. 


£ivo. u a 


No. 104 


CHARLES PAUL GRUPPE 
AMERICAN 1860— 


SUMMER—CALEDONIA CREEK 
Height, 13%4 inches; length, 20 inches 


THE creek, a silvery-white and limpid green stream, curves 
into view in the middle distance and comes forward through 
the center of a green landscape to pass out of the foreground. 
On the right it is bordered by an irregular line of willows, a 
dead tree having fallen athwart the stream, and on the left is 
a verdant meadow warmed with a note of yellow. In the fore- 
ground the creek is interrupted by a wedge of small gray rocks. 


Signed at the lower right, Cuas. P. Gruppe. 


Purchased from the artist. 


IGo. hoa PRA oN 


No. 105 


BENJAMIN RUTHERFORD FITZ 
American 1855—1891 


GATHERING THE LAST SHEAVES 
Height, 13%4 inches; length, 22 inches 


THE day is done and the foreground is in the shadow of a barn 
on the right, and of two tall, cone-shaped stacks of cornstalks 
standing next it, while the western sky beyond is still bright 
with sunset notes. Its light is reflected from the sloping tops 
of the stacks and from the top of a wagon-load of the stalks 
which has been driven up. The figures of a man on the uncom- 
pleted stack and another pitching up the stalks to him stand 
out sharply against the briliant sky. The warm tone of the 
ripened stalks, the velvety quality of the grass in the half-light, 
the free attitude of the figures and the strength of the active 
sky, all noticeable, make the painting a very interesting one. 


Signed at the lower left, B. R. Frrz, ’89. 


From the Thomas B. Clarke Collection, 1899. 


Purchased from the Noé gallery. 


4). Vora Oe 


Poe) 


No. 106 


GEORGE INNESS, N.A. 
AMERICAN 1825—1894 


DURHAM, CONNECTICUT, 1880 
Height, 151% inches; length, 2334 inches 


IN the center of rolling meadow-land, in the foreground, a tree 
sparse of foliage whose branches mount in cornucopia form is 
brown and yellow in its isolation from a group of sturdy green 
trees growing behind it. They stand on the bank of an unseen 
stream whose course cuts the meadow diagonally, and which 
is crossed by a narrow wooden bridge near the line of a rail 
fence. In the distance, beyond more meadows, are more trees 
and woods, with green and yellow hills mounting against a 
light sky—the yellow and green hills topped by detached trees 
perched on their crests, the green-wooded ones taking a touch 
of blue from the distance. 

Signed at the lower right, G. INNEss. 


Purchased from Mrs. J. Scott Hartley. 


ig = = LQ, Oe = Athos 
J Slee 


No. 107 


HOMER D. MARTIN, N.A. 
AmERICAN 1836—1897 


LOW TIDE—VILLERVILLE 
Height, 15 inches; length, 24 inches 


A. BROAD beach of brown wet sand. High lights on long Jines 
of low combers, which push dark shadows ahead of them as they 
curl before breaking, coming up the beach—the shadows per- 
haps intensified by seaweed borne shor@ward, fringes of which 
appear at the high mark of wave-lines along the beach. The 
distant ocean is a misty, grayish-brown, under the palest of 
gray skies, with the faintest of green tinges back of it. There 
is the atmosphere of the vast and salty waste. On the beach 
a lone woman in black and brown, with a white cap or head- 
dress, stoops to grasp something from the sands. 


Signed at the lower right, H. D. Martin, 1884. 


Purchased from William Schaus. 


£Q 200. Mis AB, fom 


No. 108 


WILLIAM GEDNEY BUNCE, N.A. 
American 1840— . 


WATCH HILL, RHODE ISLAND 


Height, 141% inches; length, 25 inches 


THE blue Sound puts in from the right, its wavelets breaking a 
in white spray and rolling up a crescent beach whose nearer 


arm forms the low foreground, the farther arm projecting low 
and flat under a pale gsky—the sky there as of a thin white veil 
drawn before a light greenish-blue. Between the arms the | 
high round-topped hill mounts toward a variegated sky whose — 
clouds have the tones of cream-yellow and brown onyx, with | 
rare patches of green. The hill’s crest is green; its bank where — 
broken away by the sea is curiously marked in a sandy-yellow 
and greenish-brown. Parts of buildings on the farther slope 
project above the hill’s green top, and between the dunes at its 
base is an opening where the sea breaks through in time of 
storm. 


Purchased from James S. Inglis. 


a 


Gag 4 Ce 


$ sso. 


No. 109 


RALPH ALBERT BLAKELOCK 


American 1847— 


A POOL IN THE FOREST 
Height, 16 inches; length, 24 inches 


TueE foliage of the forest trees is thick and dark, against a 
relatively light sky of yellowish clouds overspreading the blue, 
Toward the ends of the branches, where the foliage thins, the 
leaves present a lace-work pattern in green and olive-brown. 
Through an opening between the trees, where the sky is seen, 
the light strikes upon a pool occupying the central foreground 
and surrounded by green and brown underbrush and rocks, its 
surface reflecting tortoise-shell hues and a bit of the sky. 


Signed at the lower right, R. A. BLaxeiock. 


$ys0. et sac 


No. 110 


THEODORE ROBINSON 
AMERICAN 1854-—1896 


AFTERNOON SHADOWS a 
Height, 18 inches; length, 21 inches 


A MowN or harvested field, flat.and level, occupies three-quar- 
ters of the canvas, terminating at a horizontal line near the 
top where it is bordered by a belt of slender trees and under- 
growth, the bulk of the trees being out of the picture. Between — 
their trunks are glimpses of indefinite distance. In the field 
the stubble is a cool green over the most part of the land, in a | 
broad shadow of irregular outline, and without the shadow is 
a warm yellow with a slight greenish tinge, in the sunshine 
which also brightens the bordering belt of trees and brush. 


Signed at the lower left, TH. Rosrnson, 1891. 


Purchased from S. S. Dustin. 


$uc0. 


No. 111 


FREDERICK S. CHURCH, N.A. 
AmERIcCAN 1842— 


UNA AND THE LION _ 


Height, 181% inches; length, 22 inches 


Una, a blonde of ample proportions, her brilliant red hair 
decked with flowers and hanging down her back to her waist, is 
seated on a bank whose turf has the tone of the fresh and 
tender green of spring, beside a massive lion. His head, as he 


sits with his forepaws extended, rises almost as high as the — 


lady’s, and both—facing the right—look out in proud com- | 
posure over a narrow sandy beach and a broad body of blue _ 
water. Behind them are short and slender trees with bushy 
green foliage. Una wears a diaphanous garment of pale 
greenish-yellow, and flowers growing at the edge of the wood 
show notes of red, yellow and white. 


Signed at the lower left, Copyricut sy F. 8. Cuurcu, N. Y., 1909. i 


Purchased from the artist. 


2 


$300. fra Z j 


No. 112 


ALEXANDER H. WYANT, N.A. 
American 1836—1892 
A GRAY DAY 
Height, 18 inches; length, 22 inches 

GRAYISH-WHITE clouds, not those of storm or shower, over- 
spread a pale blue sky which is rarely disclosed, and in the 
distance are bare hills of odd shapes. At their foot in the 
middle distance is a body of gray-blue water, with buildings 
on its farther shore near the center of the picture. The fore- 
_ ground in green, with a gray earthen center, and on scragely 


trees at the left the sparse foliage is brown, while the trees 
and a bush in line with them on the right are in shadow. 


Signed at the lower left, A. H. Wvanrt. 


From the Ira Davenport Collection. 


$i eso. Yolpah Kane 


No. 113 E> 
DWIGHT WILLIAM TRYON, N.A. | 
American 1849— a 


AN AUTUMN EVENING 


Height, 16 inches; length, 24 inches 
GREEN grass and brown bush, and an open heath with a a 
sprinkling of trees. The wild land is flat and far-extending, 4 ‘= 
and the scattered groups of trees, mounting out of the evenng 
shadows against the gray light of the sky, would be in silhouette 
but that the light percolates amongst their thinning leafage 
and leaves them but half-darkened sentinels over the heath. _ 
The evening sky is one of cool, low tones, with striated clouds, _ ; 
and some of those near the horizon reflecting still the light of 
the departed sun. | 


Signed at the lower left, D. W. Tryon, 1908. 


Purchased from the Montross Galleries. 


$i yas 1 ue Omd ress 


No. 114 


RALPH ALBERT BLAKELOCK 


AMERICAN 1847— 


THE MOUNTAIN BROOK 
Height, 154% inches; length, Q31/, wnches 


THERE is the sense of being high in the world, and of the 
distant lands descending. ‘Trees of dark trunks and green 
foliage form a partial screen across the picture—those at the 
left largely in shadow, as the sunlight strikes forward from 
the right—a narrow opening toward the right giving a vista 
of indefinite distance over an irregular landscape. The brook 
appears among rocks at the bases of the trees, and forms a pool 
in the foreground whose surface is mottled with opaque 
shadows, and with reflections of the brown rocks and the 
creamy-brown clouds which float in a sky whose blue is barely 
visible below dark smoky clouds that overspread it higher up. 


Signed at the lower right, R. A. BLAKELock. 


Purchased from the late Senator Frederick S. Gibbs. 


Exhibited at Berlin and Munich, 1910. 


es mG, BererBarg 


No. 115 


ALEXANDER H. WYANT, N.AL 
American 1836—1892 °* 


AN ADIRONDACK VISTA 


Height, 241% inches; width, 18% inches 


clouds. 


$3 026 Gon: S. Poe 


yen aaa 


spstcnner ination 


ix 


No. 116 


ROBERT FREDERICK BLUM, N.A. 
; American’ 1857—1904 


CASA D ORO, VENICE 
Height, 26 inches; width, 18 inches 


THE canal which forms the foreground is a rippling mirror of 
many-hued reflections from the variegated buildings, plants 
and bushes of its shore, which crosses the picture. Pink and 
orange and gray are the walls and roofs, and blue, green, 
yellow and brown the details and decorations, while a green 
and flowering garden behind an elaborate iron grill adds its 
brightening notes—the whole seen in a scintillant atmosphere 
under a bright azure sky. Some boys are having a dip in the 
canal and undressing on a stair, and two gondolas, each 
attended, are made fast at the bank. 


Purchased from Otto H. Bacher, who obtained the painting from the 


artist in Venice. 


$u5O. ete ee ed. 


No. 117 
ARTHUR T. HILL 
AMERICAN, CONTEMPORARY 
LATE AFTERNOON, GARDINER’S BAY 


Height, 20 inches; length, 2414 inches 


In the background and extending forward toward the left 
appears a line of the tall, grass-covered sandbanks of Eastern 
Long Island, bordering blue water in the distance and flat- 
tening out to a broad foreground of low, broken dunes and — 
beach grass. In the left of the foreground is seen the double 
trunk of a seragely and half-bare beach cedar tree. The blue — 
sky is all but covered by bands of white cloud along the horizon — 
and darker, purplish-gray clouds mingled with yellowish- whites 
ones in the higher strata. a 


Signed .at the lower right, ArrHur T. Hrxz, 1909-11. 


On the back: “Gardiner’s Bay, 1909; Arthur T. Hill, 
East Hampton, L. I.” - i 


Purchased from the artist. 


Fano. 


No. 118 


J. ALDEN WEIR, N.A. 
_ American 1852— 


LENGTHENING SHADOWS 


Height, 211% inches; length, 251% inches 


A HIGH green hill with rounded top and undulating slope rises _ 
before the spectator, making a high horizon against a brilliant _ 
sky of clear blue—with a few white cirrus clouds extended 
in nebulous patches or trailing veils by the upper aerial 
currents. The hill is dotted with varied trees—tall and slender, _ 
and short and bushy ones; fruit trees and trees of conical form __ 
—and a winding road climbs the slope, a brown curve amid the © a 
green. The nearer and lower part of the incline is in trans- 
parent shadow with the sun descending behind the spectator, 
and trees project their shadows up the sward, while the hilltop 
is alight and the sunshine accentuates the lower trunks of trees 
on the crest, and the roof and red chimneys of a white farm- 
house, part of which is seen over one of the undulations. — 


Signed at the lower left, J. ALDEN Weir, 1887. 


Purchased from Cottier & Co. 


$1) 100. Asm Machete 


No. 119 


JOHN HENRY TWACHTMAN 
American 1853—1902 


OLD HOLLY HOUSE, COS COB—WINTER 
Height, 25 inches; width, 25 inches 


HERE is true winter faithfully rendered, with charm of color, 
line and atmosphere, and the quality that this artist was so 
successful in putting into his interpretations of Nature’s many 
moods and aspects. ‘The long, low body of the house, paralleled 
by its veranda, extends across the picture from the left, unit- 
ing at the right with a taller double structure with high- 
peaked gable roofs, each roof having one long slope. The 
roofs are covered with snow, which lies deep in drifts in the 
yard, completely obliterating paths and blown even up to the 
doorway sheltered under the piazza roof. It is lodged in 
crotches of a bare-limbed tree on the right of the door path, lies 
in patches on the foliage of an evergreen at the left, and has 
the effect of filling the air. Patches of dull red appear about 
the house door, and the sky is a pale, cold, whitened blue. 


Signed at the lower left, J. H. Twacutman. 


Purchased from S. S. Dustin. 


face. In. freeoller % Ons 


No. 120 


GEORGE INNESS, N. A. 
American 1825—1894 


SPRING BLOSSOMS, MONTCLAIR, NEW JER- 4 
SEY, 1885 


Height, 20 inches; length, 30 inches 


Tue grass is long, loose and green in an open apple orchard _ 
of short trees with small trunks, taller non-fruit-bearing trees 
growing behind them at the right as though to act as a shelter. — 
Two of the fruit trees in the middle distance toward the right > 
are covered with pinkish-white blossoms which seem to melt into 
each other and the sympathetic foliage, as though blown by 
mild breezes. At the left a house or farm building appears 
among other short trees, over which a cobalt sky is filled with 
swirling, nebulous, gray-brown clouds, held more or less 
together in a scrolling, thread-like formation. A figure in — 
red and black is suggested in the foreground at one side, and 
back under the tall trees at the right a rail fence or gate 
appears. The composition is probably from Inness’s own 
place, which so often furnished him with motives which his 
genius enriched in their pictorial presentation. 


Signed at the lower right, G. InNEss. 


From the Inness sale, 1895. 


Purchased from George H. Ainslie. 


L100. Mor Lton Pc byt 


= SS 


No. 121 


HENRY BROWN FULLER, A.N.A. 


AMERICAN, CONTEMPORARY 


MOTHER AND CHILD 


Height, 24 inches; width, 24 inches 


THE mother, of a refined peasant type, and wearing a pale dull- 
green dress with a gray shawl or blanket over her head and 
draped about her, is seated on a purplish-gray rock on a green 
uneven hillside where the rock outcrops in many places. She is 
shown at three-quarter length, facing the left. On her right 
arm she holds, seated, her nude infant, a golden-haired child 
who looks gravely at the spectator, with chubby arms ex- 
tended toward either side in an inclusive gesture, almost in 
the act of blessing. On distant hilltops are leafless trees. 


Signed at the lower right, H. B. Futuer. 


Purchased from M. Knoedler & Co. 6 


fase. 4G. WanderLQefo 


No. 122 


LOUIS LOEB, N.A. 

American 1866—1909 
MIRANDA | 
Height, 28 inches; width, 24 inches a 


A YOUNG woman with sensitive features and a wealth of rich — 
brown hair is portrayed at three-quarter length, seated and 
facing the right, her head turned in the direction of the spec- 
tator but her thoughtful, half-smiling glance bent upon the 
floor or something below at her side. She wears a loose, sleeve- a 
less, low-cut white garment, girdled in brown. As she leans 
slightly forward with her right elbow resting on her thigh, her 
right hand is raised to reach the rich tresses which the left has 
drawn forward over her left shoulder, revealing the well- 
modeled neck and a modest expanse of shoulder. As she is 
seated, across the canvas, her back is seen in nearly full view, 
her hips appear below the girdle, and the right leg as far as 
the knee, where it crosses its companion. a 


Signed at the upper right, Copyricut, 1906, Louts Logs. 


® 


From the Frederic Bonner Collection, 1912. 


$4 00. Gop. oS. Aeon 


No. 123 


WILLARD L. METCALF 


AMERICAN 


THE BOWER 
Height, 26 inches; length, 29 mches 


THICKLY clustered but slender trees, apparently the border of 
a wood, grow at the right and throw into transparent shadow 
a wild green field of the foreground, beyond which a narrow 
bright blue river crosses the scene, a high hill at its farther bank. 
The green and grassy foreground is splashed with sunlight, 
which illumines also various white and purple blossoms among 
the bushes of the bordering undergrowth. ‘Toward the left, 
under tall, slender trees of the middle distance, two figures 
are seated on the ground in the shade. 


Signed at the lower right, W. L. Mercatr, 1907. 


Purchased from the Montross Galleries. 


$uoo. Th. Breeden s €°. 


No. 124 


CHILDE HASSAM, N.A. 
| American 1859— 


LEDA AND THE SWAN 


Height, 25 inches; length, 30 inches 


Lepa, nude on the bank of a turquoise river dappled with white 
in its rippling course in the sunshine, reclines with her back a ‘s 


She leans back on her right sibar her left arm extended along n. 
her body, her feet being below the bank. Her face is seen in © 
profile as she gazes down at the swan, who is swimming up a 
from the left with curious head inquiringly projected. Across — 
the river are grassy and cultivated fields, which with the fore- — 
ground bank are bright in the sunshine that illumines also the 
damsel and the bird. 


Signed at the lower right, CHILDE Haag 1902. 


Purchased from the artist. 


$ aco. | Huge Raveena en 


eee eee 


No. 125 


J OHN HENRY TWACHTMAN 
AMERICAN 1853—1902 


A SPRING MORNING 
Height, 25 inches; length, 30 inches 


THE end of a pond, or small meadow lake, filling the fore- 
ground of the picture, extends back between low converging 
hills to a blunted angle at the base of a transverse upland. 
The surface of the water is wholly given to reflections of the 
grayish-white sky, with a pink tinge of early morning—and of 
the green banks and bordering hillsides, and the shadows of 
thick green trees which surmount them—all filling the water 
with a varied range of delicate and of deep color. The air is 
moist and fresh, with a suggestion in this small enclosed valley 
of the light haze overhanging the general landscape on warm 
spring mornings. 


Signed at the right, below center, J. H. TwacutmMan. 


Purchased from Mrs. Twachtman. 


$ [QSO. Lis Macketh 


No. 126 . 


J. FRANCIS MURPHY, N.A. 


American 1853— 
MORNING 


Height, 241% inches; length, 33 inches. 


A BroaD green hillside sloping gently forward is lined by hag fi a 
appear to be distant stone fences dividing fields, and is marked “i 
nearer by by yellow patches of field growths rising above the 
green of the De grass. A few sparse trees are seen in the ia 


scape is vague in the peatee of a gray dawn. What appear 
- to be woods in the distance on the left are still in shadow, their — ; 
top-line uncertainly defined against a light band of coming. 
day along the horizon. Nature is calm and still, slow to reveal 
her charms. 


Signed at the lower right, J. Francis Murpuy, 1901.9 


No. 127 
HENRY OLIVER WALKER, N.A. 


AMERICAN, CONTEMPORARY 


A MORNING VISION 
Height, 28 inches; length, 3014 inches. 


AN idealized allegorical picture, of refined sentiment, present- 
ing five figures among flowers within a garden wall, against a 
classical background of vague mountains and green valleys. 
At the right a fair and dreamy-eyed young mother in a yellow- 
ish-purple robe, with a green drapery back of her, is seen at 
three-quarter length, standing, with one arm folded across 
her breast and the other supporting her small boy, who stands 
nude on a pedestal or balustrade at her side. One of the 
child’s arms encircles her neck, the other is extended before 
him in the direction in which he gazes fixedly, like his mother, 
far out into space. On the left and below, their vision is 
materialized in a group of three winged figures of young 
women in varied draperies, with eyes of far-off expression as 
though of another world. 


Signed at the lower right, H. O. Wavxer, 1895. 


Received the Thomas B. Clarke prize, National Academy of Design 
exhibition, 1895. 


$ 1580. erga ea “Ste saee 


No. 128. 


ALBERT P. LUCAS 


AMERICAN, CONTEMPORARY 


THE NIGHT WATCH 
Height, 25 inches; length, 30 inches 


Aux is stillness and gloom, though it is a night of mbonligaal 
and the stars are out. The landscape in the mysterious half- _ 
darkness seems a waste, and deserted save for a solitary figure 4 
seen in silhouette above the low horizon, looking over the broad, — 
irregular lands where evening mists settling in the hollows | 
reflect the moonlight and offer the only light spots on the — 
earth’s plane. In the sky the moon struggling to appear — 
illumines a tangle of nebulous clouds, and in the SH: blue — 
appear a few stars. 


Signed at the lower left, ALBERT P. Lucas, 1902. — 


Purchased from the artist. 


(acon Violen = TCeem 


No. 129 


CULLEN YATES, A.N.A. 


AMERICAN, CONTEMPORARY 


THE FIRST SNOW 


Height, 25 inches; length, 32 inches 


Snow covers a stubble-field in the foreground, here and there 
tufts of green projecting above the white mantle, and more 
often the red and brown herbage of tougher growth which 
lingers from the fall days. In the middle distance yellowed 
sheaves of corn-stalks stand like small tepees—snow-covered — 
only on the windward side. At left and right a few trees 
retain vestiges of their red and brown foliage, at the left two — 
tall evergreens raise their conical forms skyward, and in the _ 
distance, beyond more snow-covered, rolling fields, one looks — : 
into purplish-brown woods, their fastnesses seemingly made __ 
penetrable by reflected light from the snow fallen amongst : 
them in their leafless condition. a 


Signed at the lower right, CULLEN Yates. 


taco. dy of: the romania 


No. 130 


PNY We RANGER, N.A. 
American 1858— 
WILLOWS 
Height, 28 inches; length, 35°4 inches. 


AN aged willow of sturdy and rugged trunk and straggling 
branches grows at the right on the edge of a pond or spring 
pool, its topmost branches mounting above the picture. Slender 
trees grow at either side of it and across the pond at the left, 
their graceful bodies seeming to bend in a breeze. The big 
willow and the pond are in a foreground shadow, while beyond, 
and extending to the far distance, the sunshine lights green 
fields of irregular surface, and low hills, under a blue and white 
summer sky with cream-yellow touches. On the right the 
fields are bordered by a line of thick woods, near which in the 
middle distance two persons are seen conversing. 


Signed at the lower left, H. W. Rancer. 
Purchased from the artist. 


No. 131 


JOHN HENRY TWACHTMAN 
AMERICAN 1853—1902 


THE BRIDGE IN WINTER 


Height, 30 inches; width, 30 inches 


In the foreground a line of tall, straggling bushes crosses the a 
picture, a few leaves remaining on their topmost stems. Beyond 
them is a basin or stream of water partly open and partly ice- 


covered, its open water dark and cold and the ice snow-covered, 
as is all the surrounding landscape. The air is filled with snow, — 
and beyond the basin a long red factory building with its tall 


chimney is seen through a close white veil, with snow-drifts — i 


piled up about it. Across a road at the left a large frame — 
dwelling with snow-laden roof is still less clearly seen through — 
the driving snow, and in the left foreground the road crosses 
the water by a low bridge. 


Signed at the lower left, J. H. TwacuTMan. 


Purchased from S. S. Dustin. 
Eahibited at Berlin and Munich, 1910. 


$i uso. | in Wreeclfon » Ce 


No. 132 


ROBERT REID, N.A. 
AMERICAN 1863— 


THE BROWN VEIL 
Height, 36 inches; width, 23% inches 


THE three-quarter length figure of a young woman with red- 
dish-brown hair, in a light, filmy, short-sleeved dress, with a 
long diaphanous brown veil binding her broad-brimmed hat to 
her head and floating airily about her body. She seems to 
have been walking and to have momentarily arrested her prog- 
ress to look calmly in the spectator’s direction. She is in a 
green field near the wildwood, and has plucked some flowers 
which she holds lightly before her as though arranging them in 
a bouquet, and the sunshine plays on her veil, on a part of her 
face and dress, and on the yellowish-green of the field. 


Signed at the lower left, R. Retp. 
Purchased from the artist. 


federal 


$ G60. 


No. 133 


LOUIS PAUL DESSAR, N.A. 
American 1867— 


THE WOOD CART—EARLY MORNING 
H OAs 28 inches; length, 36 inches 


A SILVERY morning of mist, with rose tint and the mystery of = 
the hour in the distance as of things half-revealed, half-con- 
- cealed. Nearer by, a woodman has come with his cart to load ‘ 
cord-wood, and has got an early start, his cart being already _ 
well-laden. It is backed up toward the left just within the 
border of a light wood of second growth, the edges of which _ 
appear at either side of the opening into which the cart is — 
driven. The yoked oxen drawing it front the spectator with 
broad, wise, white faces—one ox red, its mate of golden-yellow 4 
coat. The foreground and surroundings are a gray-green, — 
with dew sparkling on foliage and herbage, and the indefinite 
nebulous distance blends into the gray of the sky. The figure 
of the old woodman is seen bent over at work on his load, and 
there is a noticeable quality in the rendering of the sawn logs. 


Signed at the lower right, Dessar, 1912. 
Purchased from the artist. 


Gis — 
pl uso. 


. No. 134 


HENRY W. RANGER, N.A. 
. AmeERIcAn 1858— 


THE SWAMP POOL 
Height, 36 inches; width, 28 inches 


THE pool appears in the foreground, bordered by blue-gray 
boulders whose rough surfaces are patched with various colors 
in marsh-growths and incrustations. Beyond it a stretch of 
swamp land extends into the distance, bounded on the left by 
a wooded upland. At the beginning of the wood, on the 
border of the pool, the sunlight plays upon the light bark and 
scraggly trunk of a tree whose green foliage is tinged with 
yellow—the yellow note running more or less through the 
landscape and the lower sky. It is a showery day, and the 
clouds aloft are dark. Numerous birds in flight appear in 
black silhouette against the sky, and near the pool two figures 
are seen standing near a small tree. 


Signed at the lower left, H. W. Rancer, 1907. 


Purchased from the artist. 


$1 “co: y120 Q. iP Eliwoce. 


No. 135 


JOHN HENRY TWACHTMAN 
AMERICAN 1853—1902 


MEADOW FLOWERS 


Height, 33 inches; width, 22 inches 
A. VERITABLE bit of flowering meadow brought intimately home, . 
with the beholder seated down among the grasses, and the 
far-off blue sky grayed over rather by atmosphere and earthy 
vapors than by clouds. The flowers are lavender and purple, 
and dark blue and white, and green and pink and golden a 
yellow, and the small segregated profusion of them shown fills 
the picture to the top—with a corner given for a glimpse of _ 
the sky. 


Signed at the lower left, J. H. TwacuTMaAn. — : 


Purchased from Mrs. Twachtman. 


“a 
a 
a - 
oe 
er 


No. 136 


LILLIAN MATHILDE GENTH, A.N.A. — 


AMERICAN, CONTEMPORARY 


SPRING BLOSSOMS 


Height, 39 inches; width, 30 inches 


green and sunny orchard, and in the freedom of the days before _ 
the Fall. She stands on the soft green turf, one knee bent as 
for the next step, facing the spectator but with her head bent _ 
toward her right shoulder. Her upraised right arm reaches — 
a limb over her head, and in her left hand at her side she has. 
caught a slender branch full of the abundant blossoms. The 
turning of her head puts her face in a partial, transparent 
shadow, while the sunshine through the leaves plays upon her 
body. In the distance two of her companions, also nude, 
appear dancing with a long festoon of blossoms under another —_ 
tree in the sun. f 
Signed at the lower left, L. M. Gentu. 


Purchased from the artist. 


¢ 5.25. fer Rrewr 


= 


= 


sisal tb RS 


INow 187 
HUGO BALLIN, A.N.A. 


AMERICAN, CONTEMPORARY 


AN EVENING SONG 
Height, 3934 inches; width, 2934 inches 


A. YOUNG woman in a loose, bluish-green gown which is low 
about the neck is seated in a stone window embrasure playing 
a lute, and facing slightly to the right. She wears an elaborate 
jeweled pendant at her breast, a necklace of blue beads strung 
on a red cord, and a pearl and sapphire ring, and her reddish- 
yellow hair is wreathed in colors. A conventional landscape is 
visible through the window, and bright flowers and green vines 
are used within and without the casement in the production of 
an effective decorative composition. She has a reposeful, 
meditative expression, with downcast eyes beneath drooping 


lids. 


Purchased from the artist. 


e525. 4 a 


No. 138 


CHARLES MELVILLE DEWEY, N.A. ~ 
AmeERIcAN 1851— : 


DRIFTING—A NEW ENGLAND SCENE, NEAR 
ESSEX, MASSACHUSETTS 


Height, 30 inches; length, 40 inches _ $ 
Two men have been gathering hay from the salt meadows, and _ 
with a load of it heaped high on a brown flat-boat or scow, in iz 
an inlet, are idly adrift, ready to go homeward. One has his _ 
long sweep in the shallow, rippling water, as a rudder, as he _ 
sits at the stern, and his companion is standing beside the = 
mound of hay, holding upright his sweep, which reaches high XQ 3 
above it. Beyond is a narrow stream of water crossing the 
picture, and at the left a bit of the green sea is seen, with a 
white lighthouse on the coast. In the distance at the right are 
green-covered hills or dunes, under an iridescent sky. Ya 


Signed at the lower left, CHartes Metvitte Dewey. 


Purchased from the artist. 


4 soo. uz A forngnr 


No. 139 


FREDERICK BALLARD WILLIAMS, N.A. 
AmERIcAN 1871— 


THE BROAD, GREEN VALLEY 
Height, 28 inches; length, 36 inches 


4A BROAD prospect in a mountainous country is opened before 
the spectator. In the foreground is the broad, green valley of 
the title, the hillsides sloping from either hand toward the 
center and descending toward the foreground. The sunlight 
is bright on parts of the slopes, and elsewhere grass and 
trees are in the shadow of heavy gray clouds with which the 
sky is burdened. ‘The mountain sides in the middle distance 
are green, and beyond these rise other peaks blue in the. dis- 
tance. Far away along the valley dwellings are indicated. 


Signed at the lower left, Frep’k BaLuarpv Wiuams, ’08. 


Purchased from the artist. 


Puso. ( Maxi 


No. 140 


GEORGE INNESS, N.A. 
American 1825—1894 — 


EARLY AUTUMN—MONTCLAIR 


Height, 294 inches; length, 45 mches 


THE spectator stands in a field of long grass on a broad h 
top, looking out over a vast plain of diversified landsca] 
quite possibly a view from Inness’s own property at M 
clair, looking toward New York, which on clear days co 
be seen from there. Some of the green surface growths i 
field have begun to turn yellow, as has some of the fo 
in a group of trees at the border of a wood on the right, ¢ : 
the fusion of colors has given to the near-by landscape a pleas- 
ing olive note, verging upon yellow. In the distant landscape a 
blue notes are seen, as the spectator looks toward it over the = 
tops of thick green trees which grow farther down the slope _ 
of his mountainous perch. aa 
Signed at the lower right, G. Inness. 


On the back is the title, and the date 1894. 
From the Inness sale, 1895. 


fa €50. O. Stoherg 


No. 141 


THOMAS W. DEWING, N.A. 


AMERICAN 1851— 


THE LUTE 
= (Panel) 


Height, 36 inches; length, 48 inches 


OvrT on a rich emerald sward where the soft grass is deep, four 
young women in evening gowns—sleeveless and décolleté, their 
hues of green, lavender and olive-brown blending and _ har- 
monizing with the verdant surroundings—have gathered in the 
half-light in a quiet hour, one of them to play her lute. She 
is seated on the ground at the right, with the instrument across 
her lap. Of her companions, two are seated on a semicir- 
cular stone garden bench at the left, looking toward her, while 
the third stands between them with her back to the onlooker 
and her head turned to look to her right, so that she, too, is 
seen in profile. The green of the ground, where one or two 
white flowers appear, merges with a nebulous, deeper green 
background. 

Signed at the lower right, T. W. Dewtne. 


Purchased from the Montross Galleries. 


No. 142. 
FREDERICK S. CHURCH, N.A. 


AMERICAN 1842— 


REFUGE 
Height, 45 inches; width, 830% inches 


girl in a blue dress has brought some sheep to the partial shelter 
of a rustic shrine and has taken her seat beneath the larg 
crucifix. She holds a lamb in her arms, and her long golde 1 
curls—she is hatless—fall over her shoulder as she touches hei 
face to the lamb, toward which one of the sheep reaches up _ 
its nose. On bare branches about the crucifix many blue birds a 
with red breasts have sought shelter and huddle together. The 3 
grass is green and the foliage remains on the brush, but the = 
thin, drifting snow is driven by the wind as the me of cold = 4 
veils across the landscape. a 


Signed at the lower de F. S. Cuurcs, N. vee 1912, 4 
CopyricHt. aa 


From the Spring Exhibition of the National Academy of Design, 1912. 


Purchased from the artist. 


ee a qi 


No. 143 


CHARLES P. GRUPPE 
AMERICAN 1860— 


ALONG A CONNECTICUT ROAD 
Height, 33 inches; length, 48 inches 


AN irregularly shelving rocky cliff, with trees, bushes and 
grasses growing at its crest and base, and wherever they can. 
find lodgment on its slopes, rises on the right hand, its nearer 
part reaching almost to the top of the picture. At its base 
is seen a brown earth road, between wide borders of green 
grass strewn with scattered autumn leaves, as it makes a curve 
to vanish about a low point of the cliff in the middle distance. 
A black and white cow is grazing on the right, while chickens 
peck near her, and other cows are at pasture farther on, in 
a field on the other side of the road. Stone fences separate 
the road from the fields and the cliff’s base, and gray clouds 
with mauve tints float in a pale but bright blue sky sifted 
over with the thinnest of white fleece. 


Signed at the lower right, Cuartes P. Grupre. 


Purchased from the artist. 


$ x60. ty, acess 


No. 144 


FREDERICK J. WAUGH, N.A. - 
AmeERIcAN 1861— 


EAST COAST, BAILEYS ISLAND 
Height, 30%4 inches; length, 45 inches 


THE deep blue sea comes up in slow-moving, heavy waves, 
breaks in blue-white foam over outstanding jagged rocks 


little above the sea’s level, and over some of their shelves 
waves slide but partly broken, their color lightening to 
green streaked with whitish foam. Nor sky nor craft nor 
is in the picture, naught but the changing sea and its rocks and — 
foam, and the sunlight which reveals their colors and oe 
action. oe 
Signed at the lower nee Wavex. S 


Evhibited at the National Academy of Design. oi : : 


Purchased from the artist. 


Paso, fot clowg a q 


CONCLUDING EVENING’S SALE 
OF PAINTINGS 


WEDNESDAY, APRIL 2, 1913 
IN THE GRAND BALLROOM OF THE PLAZA 
FirtH AVENUE, 58TH To 59TH STREETS 


BEGINNING AT 8.15 O°CLOCK 


. 


“ 


No. 145 


WORTHINGTON WHITTREDGE, N.A. 
AMERICAN 1820—1910 


A GRAY DAY IN THE VALLEY 
Height, 1134 inches; length, 15°4 inches 


A narrow brook winds a shallow and tortuous course through 
a moist, flat and grassy meadow in which a grove of slender 
trees occupies the middle-ground, the silvery trunks of two 
leaning birches with black patches being conspicuous before it 
at the right. The valley meadow is bounded by rising land 
over whose crest are seen the rounded tops of green trees, 
against a gray sky whose color-note is reflected in the wander- 


ing brook. 
Signed at the lower right, W. Wuittrenveg, N. Y. 


From the Stanford White Collection. 


Yigo. foo. Logan 


No. 146 


JOHN HENRY TWACHTMAN 
American 1853—1902 


THE CAMPANILE, LATE AFTERNOON 
( Panel) 
Height, 1614 inches; width, 1014 inches 


A RICHLY colored painting of deep, sonorous tones, colorful 
buildings rising on each side of a narrow canal, that on the 
right mounting above the picture, the varied pile on the left 
outlining its roofs against a gray sky with brownish-pink 
touches. At the far end of the canal the red Campanile raises 
its point skyward, its wavering reflection mingling in the 
mottled water of the canal with those of the polychrome bor- 
dering buildings. 


Purchased from William J. Baer. 


Cee (Wee 


a See SO Tee 


No. 147 


FREDERICK BALLARD WILLIAMS, N.A. 
American 1871— 


THE SEA NYMPHS 
Height, 10 inches; length, 1444 inches 


ON a soft green grass-patch between rounded, reddish-brown 
rocks, on the shore of the ocean, four nymphs with red hair 
are disporting, partly draped, and swinging their curling dra- 
peries as they trip and dance. The draperies are bright yellow, 
pale orange, mahogany-red and green. One nymph whose 
filmy garment has dropped to her waist seems to be strumming 
a lyre. Beyond them the sea is blue and green, under a sky 
full of light and dark rolling clouds. 


Signed at the lower left, Frep’k BaLttarp WILLIAMS. 


Purchased from the artist. 


No. 148 


ROBERT LAYTON NEWMAN 
American 1827—-1912 


MADONNA AND CHILD 
H eight, 13 inches; width, 9 mches 


AGAINST a dark background revealing olive-brown tones and a 
suggestion of the ethereal blue, the Madonna is pictured—a 
young woman with dark hair done up about her head—stand- 


ing facing toward the left, her features partly screened by the — 


head of the Child who leans against her. He is perched upon 
her arm, one arm encircling the Mother’s neck, the other ex- 
tended in the air. His hair is reddish-blond and crowned by 
a golden nimbus. The Madonna wears a pearl-gray waist and 
blue mantle and a rich red skirt, and is bare-foot. 


Signed at the lower left, R. L. Newman. 


Purchased from the artist. 


fiao. 4.0, ker 


No. 149 


ALEXANDER H. WYANT, N.A. 
‘AMERICAN 1836—1892 


AN OCTOBER LANDSCAPE 
Height, 104 inches; width, 84 inches 


AL SLENDER tree of gray trunk at the left of the foreground 
rises out of the picture, its foliage brown, with green sugges- 
tions, in the dark shadow that hangs over the foreground from 
a heavy and ominous-looking cloud which is partly seen. To 
the right, on the verge of the shadow in the middle distance, 
a short, wide-branching fruit tree is seen, and beyond a green 
field in the sunlight the eye wanders to gray-white farm build-. 
ings with sloping brown roofs, and on to the distant sky which 
shows faintly blue among dull gray clouds. 


Signed at the lower right, A. H. Wyant. 


Purchased from the Noé gallery. 


oe, Leo. H. Wo kee 


No. 150 


HOMER D. MARTIN, N.A. 
American 1836—1897 


A BROOK IN CONNECTICUT 
(Water Color) 
Height, 7 inches; length, 10 inches 


TuE base of a huge tree, distorted through the accidents of 
early growth, or by design as in the case of those ancient “‘tree- 
fences” now fast disappearing from this country, is seen grow- 
ing on the left, at the edge of a brook. Younger trees of 
slender trunk are growing up about it, with some brush at the 
right, the whole landscape-nook in the shadow of green foliage, 
beneath which is an outlook to the distant sky. 


On the back is the title, with this inscription: “This sketch 
was made for me in 1878 by Homer Martin. E. M. 
Hamilton.” 


Purchased from Maj. E. M. Hamilton, who obtained the drawing from 
the artist. 


a ee 


a. a ee ee eee 


No. 151 


ALEXANDER H. WYANT,IN.A. 
AMERICAN 1836—1892 


AN ADIRONDACK HILLSIDE 
Height, 9Y4 inches; width, 734 inches 


Far off the foothills of the mountains are partly obscured by 
low-hanging masses of white mist, the sky above them being 
heavy with white and smoky-gray clouds which entirely shut 
out the blue. As the lower hills emerge from the mist in the 
middle distance they appear a dull yellowish-green, with dark, 
shadowy fissures, or patches of woodland, the whole seen in the 
half-light of a dark or waning day. The foreground landscape 
is barren and rough, and borders a dull blue pond or stream. 


Signed at the lower left, A. H. Wyant. 


No. 152 


RALPH ALBERT BLAKELOCK : 
American 1847— 


A WOODLAND GLEN 


Height, 1014 inches; length, 134% inches 


Ricu and beautiful color—as of gems made to flow, and then | 


fixed in their liquid brilliance. The glen and the woodland 
are poetical conceptions, which matter not in the enchanting 
chromatic arrangement. There seems to have been in mind a 
glen or grotto in the woods, with brown trees rising at either 


side and overspreading it, incrusted rocks of iron-rust hue its | 


structure, and a stream running past, sparkling where a stray 
light ray struck its fluent surface. The tones are of malachite 
_ and lapis, amber and red and pearl and rich mahogany. 


Signed at the bottom, at right of center, R. A. BLaKELOocK. 


Purchased from William Macbeth. 


$ iso. dlelland Salts 


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No. 153 


JOHN LA FARGE, N.A. 
AMERICAN 18385—1910 


LADY OF SHALOTT 
Height, 9 inches; length, 1434 inches 


Bryonp the water of the foreground, which spreads well back 
into the middle distance, a mountain or hillside sloping from 
the left and forward toward the water meets on the right of 
the background a dense wood. All of the landscape is a dark 
brown in the dusk, the foliage of the thick wood in deep tones, 
and the water is a dark green. The light of departed day 
shows in a streak or broad spot over the mountain tops, below 
dark clouds of the upper sky, and its reflection lightens a 
spot on the water beyond the boat in the foreground—the 
floating bier of the enchanted lady—and also slightly on the 
lady herself, “robed in snowy white,” in her calm sleep. 


‘And at the closing of the day 
She loosed the chain, and down she lay; 
The broad stream bore her far away, 
The Lady of Shalott.” 


Signed on back. 


Purchased from the artist. 


| Jays Ty * Aprimcin 


* 
"s 


No. 154 


WINSLOW HOMER, N.1A. 
American 1836—1910 


CASTING FOR A RISE 
(Water Color) 
Height, 914 inches; length, 191% inches 


A PLACID stream or stretch of a lake crossing the picture and 
occupying the foreground is a dark mirror of the deep woods 
of its bordering bank, and of the slightly lighter edge of grass 
before them. Here, in the somber stillness and alone, is a 
fisherman in a grayish-blue skiff, casting a long, long line. 


Signed at the lower left, Homer, 89. 


Purchased from Gustav Reichard. 


$525. Ih, Weedon a Ce 


No. 155 


RALPH ALBERT BLAKELOCK 
AmERIcAN 1847— 
THE POWWOW 


Height, 64 inches; length, 18 inches 


A score of figures of Indians are seen gathered about a camp- 
fire which burns low, in the central foreground. Most of them 
are standing, a few squat on the ground, and they are clad in 
yellow, red and green—mainly in yellow, as of leather, with 
touches of the other colors. The powwow is held within the 
border of a wood, where all is dark save for the fire’s glow. 
Through an opening in the trees a distant flickering light from 
the past sunset is seen along a part of the horizon. An im- 
portant figure, perhaps a chief, beside the fire, is the most con- 
spicuous of the gathering. 


Signed at the lower left, R. A. BLaKELOcK. 


Purchased from Col. William P. Roome. 


Bous. ‘ do, Ktianohang 


—— 


No. 156 


GEORGE INNESS, N.A. 
American 1825—1894 


WOODS NEAR MILTON 
Height, 11 inches; length, 15 inches 


Woops of ancient trees, some dead, some dying, surround a 
clearing of green pasture land which is dark in the foreground 
in the shadow of the trees, and light in the middle distance 
where the sun strikes it. There cows graze or lie down, and 
some figures are seen among them—while at the left a figure 
in red is driving away on a loaded wagon through a farm or 
field road that vanishes over a gentle rise as it is about to enter 
the woods again in the distance. The sky is a dull blue in 
the light, which is fading, with brownish-gray cloud-billows 
near the horizon. A slant of light from the left emphasizes 
the smooth and exposed spots of the tree-trunks. 


Signed at the lower left, G. InnEss. 


No. 157 


ALEXANDER H. WYANT, N.A. 
AMERICAN 1836—-1892 


HAYING TIME 
Height, 1114, inches; length, 144% inches 


AN interesting landscape of hill, woods and vale is shown 
under an attractive sky of summer. A broad-topped hill at 
the left slopes toward the right and forward, its lower reaches 
screened by woods which cross the picture in the middle dis- 
tance, bounding an irregular field in the valley clearing of the 
foreground. Here a hay wagon, standing well back toward 
the wood, is being loaded, an aged white horse standing 
patiently before it with his head lowered. All the landscape 
is green, the foreground field light, the woods and the hillside 
darker, and the line of the woods below the hill darker still with 
the deep shadows of the trees. The sky is gray, with white 
clouds, and streaks and spots of blue. 


Signed at the lower left, A. H. Wyant. 


Ewhibited at Venice, 1910. 


: No. 158 


ROBERT C. MINOR, N.A. 


AMERICAN 1840—1904 


EVENTIDE 
Height, 12 inches; length, 16 inches 


THE sun has set and the foreground is in the shadow of a 
wood whose edge appears at the right, heralded by an outpost 
group of five straight and leaning trees standing like sentinels 
or guards beside a small pool. The grass, which here is dark 
emerald, in the middle distance becomes a yellow-green in the 
after-sunset radiance, in a meadow beyond which appears an- 
other wood. Coming across the lea, two old women in white 
caps, making their slow way homeward, are just entering the 
shadow of the approaching evening. 


Signed at the lower right, Mrvor. 


No. 159 


WINSLOW HOMER, N.A. 
American 1836—1910 


A QUIET NOOK ON A SUNNY DAY 
(Water Color) 
Height, 1234 inches; length, 1934 inches 


BLvuE water of a mountain lake, placid in its undisturbed re- 
moteness, becomes white as it mirrors the fleecy summer clouds 
and gray reflections of the mountain shadows. Near the bank 
at the left a lone enthusiastic fisherman in blue shirt and over- 
alls, seated in his white punt, is at his favorite pursuit, and his 
light rod in his left hand bends as he trails his fly. Pine trees 
are seen beyond the border of the water, and in the distance 
the flank of a mountain shuts out most of the sky. 


Signed at the lower right, Winstow Homer, 1889. 


Purchased from Gustav Reichard. 


$) QQS. Morlto~ teckotts 


ae . = 


ee oS Fie ery ee Apahnong. 


No. 160 


ALEXANDER H. WYANT, N.A. 
AMERICAN 1836—1892 


THE LONELY FARMHOUSE 
Height, 1414 inches; length, 2014 inches 


Bryonp a shadowed foreground the lonely white farmhouse is 
seen in a middle distance bright in yellow sunlight. It has 
a lean-to attachment and but for its chimney might in its 
remoteness be taken for an ancient barn, exposed to the full 
sunlight but with neighboring trees, the vegetation about show- 
ing both green and yellow coloring. The foreground in the 
shadow is a dark green with yellowish-brown spots or patches. 
A small tree rising out of underbrush at the left is green, but 
it, too, is somewhat yellowed, and the ground is lightened by 
a bit of a pool. In a green-blue sky there is a smoky cloud- 
bank aloft, the blue appearing behind it and yellow-touched 
clouds before and below it. 


. Signed at the lower right, A. H. Wyant. 
From the Wyant sale, 1894. 


Purchased from Louis Katz. 


$asoo. ESS lise Lo be 


No. 161 


CHARLES MELVILLE DEWEY, N.A. 
AMERICAN 1851— 


A GRAY DAY IN SHROPSHIRE 
Height, 19 inches; length, 24 inches 


A RAMBLING footpath skirting the edge of a shallow stream 
or marshland winds along at the right past a group or line 
of trees whose thin foliage is for the most part a light green. 
Most of them are slender, but in the midst a sturdy oak, short 
of trunk but plentiful in branches, extends its longer limbs 
over the moist land in the center and toward the left, where 
among the sundry green surface-growths are spires of brown 
and dots of white. In the distance green and blue hills dis- 
close an occasional building on their flanks. Shadows are 
few and the air and stillness of a gray day are over the coun- 
tryside. 

Signed at the bottom, at right of center, CHartes Met- 

VILLE Dewey. 


Purchased from the artist. 


No. 162 


“WILL H. LOW, N.A. 
AMERICAN 1853— 


A DEBUTANTE 
Height, 28 inches; width, 14 inches 


A. HIGHLY decorative portrait of a young woman at full length 
and seen almost in full face, turned very slightly to the right. 
She stands on a pale salmon-pink floor between square fluted 
columns against a brilliant imperial yellow or gilded wall. 
She is gowned in pearl-gray silk, the skirt full and ‘plain, the 
décolleté waist with an inserted lace front, and the lace-trimmed 
shoulder-sleeves are surmounted by large bows of silk ribbon. 
A green and white floral festoon draped between the columns 
passes back of her head; she wears a white rose in her chestnut- 
brown hair, and carries in her gloved hands a loose bouquet of 
yellow and white roses with leaves and long stems. 


Signed at the lower left, Wit. H. Low, 1897. 


Purchased from the artist. 


a Moe ase 


No. 163 


ALEXANDER H. WYANT, N.A. 
AmeERIcAN 1836—1892 


SUNSET 
Height, 12 inches; length, 20 inches 


In a valley bounded by an undulating line of low-horizon hills, 
which on either side seem to extend forward as protecting 
arms, a shallow pool or meandering stream is seen, in the 
center of the foreground, and all around the land is wild. 
Throughout the entire prospect the herbage of natural growths 
is of mahogany-red and brown tones, with occasional sugges- 
tions of brownish-green, at the hour of a cloudy sunset. The 
sun is Just sinking beyond the hills in a mass of drab clouds 
whose edges it turns to fiery red, while farther back the clouds 
are a cream-yellow. Over the rest of the heavens they are 
dark, or touched with light and turned to the brown and red 
tones of the landscape below. A canvas with a Rousseau 
quality. 

Signed at the lower right, A. H. Wyant. 


Purchased from Gustav Reichard, who obtained the painting from Mrs. 


Wyant. 


$éas. ello Salle = 


No. 164 


WILLIAM SARTAIN, A.N.A. 
AMERICAN 1843— 


THE MEADOW BROOK 
Height, 12 inches; length, 24 imches 


A MEADOW of grayish-green aspect, with touches of brown in 
its short herbage, presents its broad and flat surface, a little 
dark in the dwindling light of fading day, beneath a pale sky 
lined above the horizon with heavy white clouds touched by a 
low yellow band. The land is open and deserted and seems 
cold in the gloaming, and a single dark clump of high bushes 
stands above the plain, in the middle distance. Before it the 
brook courses in curious winds and turns, spreading somewhat 
as it approaches the foreground and reflecting the brown of its 
borders and the white of the clouds. 


Signed at the lower right, W. SartTatn. 


Purchased from William Macbeth. 


Foye. Aiea Wy ackhxh, 


No. 165 : 


WALTER SHIRLAW, N.A. 
AMERICAN 1838—1909 


AUTUMN 
: Height, 201% inches; width, 15 inches 


WirxH yellowish lights showing in her abundant red hair a 
buxom woman is reclining, nude, on an emerald-green drapery 
which is almost of the hue of the velvety grass, in the secluded 
and darkening glen which she has made her retreat, and where 
she is desultorily casting brown autumn leaves into a limpid 
pool at her feet. She is facing the spectator as she sits on the 
green bank, looking down at the pool which reflects her ankles, 
but leaning back against the rising bank and supporting her- 
self with her left hand as she inclines in that direction. ‘The 
flesh tones are warm and mellowed. Her face is partly in 
transparent shadow as her head is inclined forward. The 
lower trunks of large trees are seen in the background, between 
them a bit of the sky being visible above the high bordering 
bank of the glen. 

Signed at the lower left, W. Suir aw. 


Purchased from the artist. 


No. 166 


CHARLES H. MILLER, N.A. 
AMERICAN 1842— 


AN EARLY SETTLER, LONG ISLAND 
Height, 18 inches; length, 221%, inches 


SomE large, substantial buildings and lesser structures have 
been erected in’ a remote recess or partial clearing in the woods 
on the banks of a stream, the buildings being located on high 
land at the right and in the middle distance, while the fore- 
ground is low. The trees are of thick foliage and partly in 
shadow, while the sunlight whitens bits of the buildings and 
falls upon an ox-team in the foreground hauling a heavy 
wagon in which two figures are seated. The whole landscape is 
in mellow tones of green and yellow, and the green-blue sky is 
almost hidden by thick white and smoky-gray clouds. 


Signed at the lower left, Cuas. H. Mriuer. 


Purchased from the artist. 


$2.0. Cte Aseinhory 


a a a 


No. 167 


THOMAS W. DEWING, N. A. 
AMERICAN 1851— 


WOMAN IN PURPLE AND GREEN 
Height, 20 inches; width, 1534 inches 


A DIGNIFIED and stately young-woman is seated in a round- 
backed and open-armed chair, turned toward the right, facing 
three-quarters front, and looking directly at the spectator. She 
sits very straight and upright, yet at dignified ease, and her 
hands are lightly clasped in her lap, her elbows just touching 
the chair-arms. She wears a décolleté gown of gray-green 
with a purple bodice, the cut leaving the long neck and shoul- 
ders bare and exposing the low bust. Her reddish-brown hair 
is loosely done up, and is parted. The light falls from the 
left, putting one side in shadow. 


Signed at the lower left, 'T. W. Dewine. 


From the Montross Galleries. 


No. 168 


ALEXANDER H. WYANT, N.A. 
AMERICAN 1836—1892 


BIRCH WOODS IN THE ADIRONDACKS 


Height, 16 inches; length, 20 inches 


A patcH of characteristic Adirondack scenery presented under 
conditions fascinating to the artist. The foreground is rela- 
tively dark in partial or transparent shadow, the land green, 
gray and brown beneath the trees, and strewn with rocks. A 
clearing in the middle distance is yellowed in bright sunlight, 
although a patch of the sky visible over a distant part of the 
forest shows the blue cerulean there to be all but screened by 
gray, fluffy clouds. All about the clearing the sunshine falls 
upon the silvery bark of the slender birches and upon their 
wispy and now pale yellowish-green foliage, while the shadowed 
foliage of the foreground trees, just visible at the top of the 
picture, is a yellow-brown. 


Signed at the lower right, A. H. Wyant. 


$1260. Hella nct Sale? 


No. 169 


THEODORE ROBINSON 
AMERICAN 1854—1896 


DAY DREAMS 
Height, 2134 inches; width, 18 inches 


IN the green grass about an apple tree the windfalls are lying 
on the ground. Seated beneath the tree is a young woman of 
the country, her hands folded languidly in her lap, her pur- 
plish-brown basket beside her with but a few apples in it as 
she has paused at their gathering to give herself to dreams. 
She wears a rose-pink skirt, and her pearl-gray and white 
bodice is moderately low at the neck and short sleeved. ‘The 
healthy color of the country is in her cheeks but she is of 
pensive expression. In the middle distance appears the brown 
earth of a tilled field. 


Signed at the lower left, Tu. Roxinson. 


Exhibited at Berlin and Munich, 1910. 


No. 170 


HOMER D. MARTIN, N.A. 
American 1836—1897 


THE MEADOW BROOK 
Height, 1414 inches; length, 24 inches 


Less than a dozen slender trees, with trunks more or less 
scraggly and little foliage, make a group of pictorial interest 
in the middle distance, near the center of a green meadow. 
Running along the meadow before them the brook—a narrow 
one—is in places invisible below the grass of its flat banks, and 
again it reflects the light notes of gray clouds which over- 
spread the blue sky. Beyond the trees, farm buildings are 
indicated, streaks of brown run through the meadow herbage, 
and trees make a solid dark mass along a line of high, even- 
topped hills. 

Signed at the lower right, Martin, 1887. 


From the Stanford White Collection. 


$3 260. Lv MackheIr 


i i hab ade Bi Dicen wlohe | 


No. 171 


RALPH ALBERT BLAKELOCK 
AmERicAn 1847— 
SUNSET AT SEA 
(Panel) 
Height, 1514 inches; length, 24 inches 
THE canvas entire is a picture of sea and sky, with a low horizon 
and naught visible on the face of the waters, which is dark, 
save the shimmering reflection of the setting sun that cuts 
through the center toward the spectator in tortoise-shell tones. 


The sky, fantastically clouded, is ablaze in yellow and sard or 
chestnut-red hues of mottled marble or onyx. 


Signed at the lower left, R. A. BLaKELock. 


Purchased from Col. William P. Roome. 


$ Se és OF. femme 


No. 172 


JOHN HENRY TWACHTMAN. 
American 1853—1902 


FREIGHT BOATS ON THE SEINE 
Height, 141% inches; length, 22 inches 


THE river, which fills the right of the picture, is here passing 
through an open country, the irregular bank at the left starting 
midway of the foreground and extending first back toward 
the left and then out toward the right again in a wooded point 
projecting into the river. The stream is gray, tinged with blue, 
under a gray sky. Freight boats of the type which ply the 
Seine are moored near the bank in the foreground, the dull 
brown hulls seen against the light, which casts wabbly reflec- 
tions astern, toward the spectator. A figure appears on one 
of the boats. The atmosphere is clear though the sky is gray, 
and there are suggestions of distant smoke. The bank and 
a road traversing it are a sandy-brown, with green patches, 
and the fields before the dark woods are a moist green, while 
here and there are suggestions of sundry buildings. 


Signed at the lower left, J. H. TwacHTMAn. 


From the Cottier sale. 


fp 5235, CD, no 


PENG 


No. 1738 


J. FRANCIS MURPHY, N.A. 


. AMERICAN 1853— 
GRAY HILLS 


Height, 16 inches; length, 22 inches 


_AuTUMN has come and the remaining foliage on two trees 
near the left foreground is reddish-brown. The sun, setting 
far over hills at the right, brightens spots of the trunks and 
casts slight shadows on the ground. The broad, gently sloping 
hillside fields are yellow and brown, with a little green, as they 
rise toward the back and the right under a sky of warm, or 
pinkish, gray clouds, patched with white, a pale blue spot 
appearing over the hilltops. Beyond the trees at the left a 
barn is seen, with a haystack near it, and a path or road is 
suggested, straggling unevenly over the nearer part of the field. 


Signed at the lower right, J. Francis Murpuy, 1903. 


No. 174 


HENRY W. RANGER, N.A. 


AMERICAN 1858— 
A NOCTURNE 


Height, 18 inches; length, 251% inches 


Across the picture runs a broad river, its water green in the 
moonlight under a malachite sky. On the nearer bank two — 
bushy trees grow at the left, and at the right is an ancient > 
gabled building with a short chimney, in front of which a figure 
on horseback and another figure standing behind the horse 
are seen in the bright moonlight. Across the stream are green — 
fields and occasional trees, and the full moon has risen over | 
the hillside in a clear sky—though heavy clouds hang aloft— — 
its light whitening the river. Throughout there is a brilliant 
atmosphere. : 


Signed at the lower left, H. W. Ranesr, 93. 


Purchased from the artist. 


- oot 2th, 


No. 175 


DWIGHT WILLIAM TRYON, N.A. 


AMERICAN 1849— 
DAYBREAK 


Height, 18 inches; length, 2934 inches 
A BroaD river of slow current, occupying the full foreground, 


is mystically mottled in the early morning light with reflections 
—Just a little lower in tone—of the rich and brightening sky. 


Along the shore all the way across the picture are the buildings ~ 


of a populous port, the square tower of a church and an obelisk 
rising above the confusion of roofs against the lightening 
horizon. ‘The buildings are yet in half-shadow, and against 
them are seen the black hulls of tall-masted sloops at their 
moorings, still carrying their riding lights, and other occasional 


lights appear along the shoreline. ‘The sky glows in light 
yellow, pale flame-color, pink, and notes of purple and green, — 


overspread as it is by clouds of varying density and form. 
Signed at the lower right, D. W. Tryon, 1885. 


Gold Medal of Honor, awarded by the American Art Association of the 
City of New York, at the Second Prize Fund Exhibition, 1886. 


From the collection of the late Frederic Bonner, New York, 1912. 


F aieee (edo tulsa Cheat 


jee 


| 


7: 


No. 176 


ALEXANDER H. WYANT, N.A. 
AMERICAN 1836—1892 


MORNING AT NEVERSINK 
Height, 18 inches; length, 30 inches 


Broad vistas of moorland, valleys, streams and hills, plains, 
trees and bush, are spread before the eye under a gray sky 
brightened by a few white clouds. Sunlight falls upon a 
foreground glade, of wild land, green with grass and dappled 
with lighter spots of field growths or exposed earth. Beside a 
path near a shelf of gray rock, a girl in a white waist and blue 
skirt is gathering wild flowers or fagots. Across the center of 
the picture a stream and bordering woods are in the deep 
shadow of a cloud, while the varied green landscape beyond 
is again in bright sunshine, and another water-course appears, 
sharing in the light. To the right a jet of steam or light smoke 
is rising near a tall pine tree. 


Signed at the lower right, A. H. Wyanr. 


$10, too. Comate. O30 .Vark 


No. 177 


FREDERICK S. CHURCH, N.A. 


AMERICAN 1842— 


MOONRISE 
(Oval) 


Height, 2534, inches; width, 2134 inches 


A FAIR young woman, nude, of full figure, her rich dark hair — s 


exhibiting reddish tones, is rising in the white crescent moon 
out of rolling waves which are combing gently in an opalescent 
sea. A single star is in view in the sky, its light reflected in 
the foam-strewn surface of the waters. Bluish tones through- 
out are cooled by a tendency to green, the colors melting into ~ 
one another, with pale yellows and faint pinks included in the 
chromatic shimmer. The maiden’s hair streams down her back. 
So delicately colorful is the whole that it has the effect of an — 
aquatic efflorescence. 


Signed at the lower right, Copyricut By F. §. Cuurcnu, 
N. Y., 1905. 


Purchased from the artist. 


foas. Geo. O. eee 


ie ss 
levies 
Ree 


No. 178 


CHILDE HASSAM, N.A. 
AMERICAN 1859— 


THE BUTTERFLY 
Height, 27 inches; width, 20 inches 


THE nude and pliant figure of a tall young woman, with a 
wealth of yellow hair which is done in large puffs about her 
head and in the shadows presents reddish tints. She is seated 
on a flowery green, yellow and blue bank, facing the left, with 
the nearer knee slightly below the other as her feet are curled 
back toward the right. While sitting erect, she bends her head 
sharply down to gaze at a yellow butterfly, fluttering below 
about her blossoming bank. The sunlight from above at the 
right illumines her hair and figure, and the floral seat and fore- 
ground, throwing into transparent semi-shadow her rosy, down- 
bent face and a part of the dappled background of malachite 
and yellow leafage against which she is seen. 


Signed at the lower right, Cuitpe Hassam, 1912. 


From the Winter Exhibition of the National Academy of Design, 1912. 


Purchased from the artist. 


ine. N&, Motes 


No. 179 
ALEXANDER T. VAN LAER, N.A. 


AMERICAN, CONTEMPORARY 


OCTOBER NEAR LITCHFIELD 
Height, 20 inches; length, 27 inches 


AN interesting American landscape spreads before the eye, the 
land rolling gently, and ground and trees displaying the colors 
of fall—the trees already shorn of many of their leaves. The 
foreground is a green and yellow meadow watered by a winding 
rill, and separated in the middle distance by a stone fence from 
green fields and a brown plowed field. Behind a clump of 
trees a white farmhouse and yellow barn are seen against 
distant dark brown woods. The sky is filled with dull gray 
clouds, with an occasional touch of faint pink, and has one 
large billow of grayish-white. Over the landscape is a slight 
haze of the somber season. 


Signed at the lower right, A. T. Van Laer. 


Purchased from the artist. 


faco. | fo Se q 


No. 180 


JOHN HENRY TWACHTMAN 
American 1853—1902 


THE HIDDEN POOL 
Height, 22 inches; length, 27 inches 


Just without the border of a luxuriant green wood—its mass 
of foliage a dark, rich emerald hue—the sunshine breaks upon 
a riotous bloom of flowering grasses, massed golden-rod, and 
gray, rounded boulders with multicolored lucent incrustations, 
all in a brilliant light and shimmering atmosphere. High banks 
slope down and give away in the foreground to the general 
level of the land. Between them, beyond the boulders and 
under the edge of the wood, an unsuspected pool is revealed, 
with ‘suggestions of small, brownish rocks around its circular 


border. 
Stamped on the lower right: TwacHTMAN SALE. 


Purchased from S. S, Dustin. 


From the Twachtman sale, American Art Association, 1903. 


No. 181 


ROBERT ©. MINOR, N. A. 
American 1840—1904 


~NOONMARK BY MOONLIGHT 


Height, 2134 inches; length, 2934 inches 


THE broadly conical mountain peak, a bluish-green in the 
night-light, mounts high in the distance in the center of the 
canvas, toward a sky filled everywhere with clouds. To right 
and left they are dark, while above the mountain they are 
lightened by the beams of the rising full moon, whose edge has 
just projected itself exactly over the peak. Its radiance 
brightens the nearer side of the mountain and is reflected ina __ 
strip of water at the foot of the slope. The green clearing of | 7 
the foreground shares dimly in the coming light. In the — 
middle distance is a dark mass of trees on the right, while on 
the left more open trees permit the moon’s rays to penetrate 
to their branches and outline their forms against the clouds. 


Signed at the lower right, Minor. . 
From the Robert C. Minor sale, American Art Association, 1905. 


fies. CO. Some | 


No. 182 


GEORGE GLENN NEWELL 
AMERICAN 1870— 


LATE AFTERNOON 
Height, 22 inches; length, 28 inches 


In the late hours of the day the foreground in the deep shadow 
of trees of dense foliage reveals itself as a marshy bank of a 
languid river, with cows and their calves standing in the grass 
and water, one looking toward the spectator, others giving 
attention elsewhere. Across the gray and dappled river the 
opposite bank is a gently rising hillside, green and yellow in 
the late afternoon light, and beyond it the sky is gray—with a 
suggestion of the underlying blue—with a white cloud-mass 
just appearing over the hilltop. 


Signed at the lower right, G. GLENN NEWELL. 


Purchased from the artist. 


Laeo. Tes h. MF Canter 


No. 183 
FREDERICK J. WAUGH, N.A. 


American 1861— 


EARLY MOONRISE 


Height, 2024 inches; length, 3034 inches 


Ir is moonrise over the sea and rocks, and the moon is not _ 


visible, but her light is shining and turns the greenish-blue i 


expanse into a broad, shimmering radiance, subdued at either __ 
side by the deeper tones of the water and rocks where the _ 
direct rays are not reflected. The sky is a solid, dull, grayish- 
blue, lighted at the top-center of the canvas by the rays of the 


unseen moon higher up. The level line of the sea makes the 


horizon, from the center of which the radiant reflections spread __ 
toward the spectator. In the middle distance jutting rocks of 


irregular conformation, coming into the picture from the right, 
break up the seas that come slowly in, smashing them into foam 
and turbulent swirls, and on the outermost rocks a billow of 
spume is tossed high in the air. 


Signed at the lower right, Waveu. 


Purchased from the artist. 


No. 184 


ROBERT REID, N. A. 
AMERICAN 1863— 


THE VIOLET KIMONO 
Height, 29 inches; width, 2534 inches 


Tue full-length portrait of a young lady with a mass of yellow 
hair revealing reddish tinges, seated and turned to the left 
at her dressing table. Her head is turned from the spectator 
and her face is seen three-quarters full in the oval mirror over 
her table. Her cheeks are pink, her lips are red, and she wears 
a thoughtful or dreamy expression as she looks abstractedly 
at a glass bowl of violets which she is languidly arranging 
before the mirror. She is clad in a violet kimono which gives 
various tones of purple in the strong light, with bits of green 
in its ornament, and the tones are taken up again in the curtains 
at either side, while her kimono falling open over her lap dis- 
closes a white lace skirt. 

Signed at the lower right, Ropert Rep. 


Purchased from the artist. 


$ 500. ps tprenser 


No. 185 


BENJAMIN RUTHERFORD FITZ 
American 1855—-1891 ream 


THE REFLECTION 


Height, 2934, inches; width, 25 inches 


A MAIDEN of plump but graceful figure, having divested her 
self of her garments in a neighboring wood which appears’ or 
the left, has come forward to the water’s edge in the foregrounc 
and is just stepping in, bending away some tall flags with one 
extended arm, her other arm held lightly away from her side BS 
also, in easy attitude. Her dark hair falls naturally about her 
head and back of one shoulder, to well below the waist, its 
loosened strands throwing part of her face into shadow as she e 
inclines her head slightly forward, glancing modestly down to 
where her reflection appears in the smooth water, the light — a 
falling from above at the left full upon her upper figure. She 
faces the right, three-quarters front. At one corner is seen a a 
patch of pale blue sky with white clouds. 


Signed at the lower left, B. R. Frrz, °90. 


Purchased from the artist. 


been tt(‘(‘é es 


No. 186 


CHILDE HASSAM, N.A. 
American 1859— 


OCTOBER HAZE, MANHATTAN 
Height, 25 inches; length, 30 inches 


THE North River, its ceaseless ripples colored by cloud reflec- 
tions of the sunset hour, forms the foreground of the picture, 
and beyond the obscured and undefined Manhattan shoreline 
the towering buildings of the city rise in irregular and imposing 
mass and outline. All is tinged, as is the eastern sky, with 
sympathetic, rosy reflections of a crimson sunset. The red 
light of the sinking sun glints from high windows above the 
land, and a lone ferryboat in the river repeats the red glare. 


Signed at the lower right, CuitpE Hassam, 1910. 


Purchased from the artist. 


$ ;/soo. Lin WMoelsek sh 


No. 187 


JOHN HENRY TWACHTMAN 
AmERIcAN 1853—1902 | 


NIAGARA IN WINTER 


Height, 30 inches; width, 25 inched 


A sEGMENT of the Horseshoe Fall is pictured, the green and 
white water pouring in volume down the face of the rocks and 
boiling into steaming foam at the foot of the chasm, where its _ 
turbulent billows in places reflect a purple light. At the lef 
the spray rises high above the falls and seems to mingle with 
and disperse in the white fleece of the clouds, as the spectator 
looks upward, while at the extreme right a patch of the purple- 
brown rocky wall of the gorge is visible. Below it again, 
active volumes of the swirling, foam-churned white waters are 
dashing high above the cool marble-green of the river current. 


Signed at the lower left, J. H. Twacutman. i: 


From. the Twachtman sale, American Art Association. 


$1 625. : Aven Fock eh. 


a) 


No. 188 


FREDERICK BALLARD WILLIAMS, N.A. 
American 1871— 


. THE GOLDEN HOUR 
Height, 2734 inches; length, 3534 inches 


A SCENE and canvas of Monticellian color and conception. A 
company of seven young women in décolleté costumes of gor- 
geous hues, hatless and carrying various musical instruments 
and bouquets of bright-colored flowers, are gathered in an 
idealized retreat amid precipitous rocks on the border of a 
blue, blue sea. ‘The huge rocks are colorful with mosses and 
incrustations and the hues of disintegration—while the color- 
picture is enhanced by the glowing splendor of the rich gowns 
of the ladies, who are seated, standing, and moving about on 
their rocky shelves. Gulls hover over the sea, and white and 
smoky-gray clouds float in the sky. 


Signed at the lower left, Frep’k BaLtarp Wi..iaMs, ’08. 


Purchased from the artist. 


Bisse. AO. Ne metanQifc 


No. 189 


HENRY W. RANGER, N.A. 
American 1858—_ 


EARLY MORNING—NOANK 


Height, 28 inches; length, 36 inches 


AN edge of the waterfront of the picturesque old Yankee town o:, 
is shown on the left, looking up the river. Some ways appear 
in the foreground with the stern of a small boat visible, and 
_ beyond extends the line of jutting piers and wharf buildings, 
gray, brown, red and yellow in their weathered beauty—the — : 
masts of sailboats tied up to the pier-ends rising above the roof- — e 
lines, a tangle of small boats in a basin, and a jet of steam ; ' 
lending its white note and wavy line to the polychrome and | 
polyform mass. In the center of the picture, over the water, — 
the sun is just rising, and bursting forth in blazing yellow 
splendor through a horizon haze colors the thickly strewn clouds 
above, and fills the green waters with brilliant reflections. Sails _ 
are going up on the working boats out in the stream, and tl: Br. 
workers are stirring in the craft along the shore. 


Signed at the lower right, H. W. Rancer, 1907. 


Purchased from the artist. 


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No. 190 


LOUIS PAUL DESSAR, N. A. 
AMERICAN 1867— 
A PASTORAL 


Height, 28 inches; length, 36 inches 


A Low, broad, forsaken hill slopes gently forward, its almost 
even topline giving a low horizon against a bright sky com- 
pletely filled with mottled gray, white and yellow-tinged clouds. 
At either side purple and brown vegetation grows amongst 
irregular boulders whose tops are green with moss and in- 
erustations. Through the center is a broad open tract, or 
track, irregular and rutted, and sprinkled with stones and 
grassy patches. Along this way a youthful shepherd is driving 
a goodly flock of sheep toward the foreground. They are 
closely bunched and the light is reflected—a yellowish-gray— 
from their backs, while the shadows are dark about their feet. 


Signed at the lower right, Dessar, 1911. 


Purchased from the artist. 


Bijioo. B.S. Taker 


No. 191 


JOHN HENRY TWACHTMAN _ 
AmERIcAN 1853—1902 eget 


THE WHITE BRIDGE 


Height, 30 inches; width, 80 inches 
In the midst of a green landscape a narrow river entering t 
scene from the left foreground winds partly across the pictur 
and back toward a low hill, where its course is lost in a p 
fusion of foliage in the central distance. A slender, croo 
and feathery tree on the nearer low bank in the foregroun: 
a light, yellowish-green, and a darker, cone-shaped evergr 
tree grows near it at the foot of a higher, steep part of th 
bank. The grass of the entire bank is of a similar pale yellow- 
ish-green in the sunshine to the foliage of the slender tree, and — 
‘of other trees which toward the top of the picture obscure the 
sky. From the high bank a graceful white footbridge of gentle 
arch crosses the stream, which is filled with gray and purplish- 
brown reflections. The bridge is ornamented with an overhead 
arch, protecting its promenade. Fa: 


Signed at the lower right, J. H. TwacHTMAN. ee a 


Purchased from S. S. Dustin. 


Sa 
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No. 192 


RALPH ALBERT BLAKELOCK 
bee ee 1847— 


MOONLIGHT 


Height, 27 inches; length, 37 inches 


THE full moon, white in a haze of cloud vapor, is well above 
the horizon on a night which is bright notwithstanding the 
presence of many tenuous clouds in the sky. The moonlight 
brightens the surface of an arm of water which reaches irregu- 
larly over low, flat lands in the center of the canvas, the land 
rising slightly on the right, and everywhere save in the fore- 
ground being covered with indefinable herbage or brush growths 
in brown and green tones. In the foreground are indications 
of rocks, and a few slender trees of lace-like foliage are to be 
seen against the light of the sky. 


Purchased from the artist. 
Ewhibited at Berlin and Munich, 1910. 


ff 1d, q (og oe LPR te OG Roark 


No. 193 


HENRY W. RANGER, 'N. fr = 
American 1858— | 


SKY, DUNES AND SEA 


Height, 28 inches; length, 36 inches 


THE dunes, which are high at the left and caren wit Litt 
coarse, gray-green grass of the seaside, have given way | 
inroads of the tides in the foreground, and become low, I 
mocky sand-patches, with a bit of struggling green here 
there. At the right the sea, a deep blue on a bright day, c ) 
up in gentle motion. The light blue sky is all but filled 
masses of grayish-white cumuli, whose edges are tinged witl 
faint cream-yellow. MR eis 

Signed at the lower left, H. W. Rind om 


Purchased from the artist. Nee 


fi uso. Airon acbeth 


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No. 194 


ROBERT REID, N. A. 
American 1863— 


THE YELLOW FLOWER 
Height, 37 inches; width, 30 inches 


A YOUNG woman slender and fair, her hair a reddish-yellow 
and her cheeks a delicate pink, is seated in the sunlight among 
greenery and flowers. She is shown at three-quarter length, 
facing the left, turned slightly toward the front, and her face 
is seen in profile. She wears a short-sleeved gown of light 
material, moderately low at the neck, and a bright yellow scarf 
or veil curls about her waist, having been allowed to fall from 
her shoulders, and she is hatless. She has plucked a yellow 
flower from the many in the field around her and leans forward 
to examine it in her right hand, while her left falls easily 
against her side and the loose folds of her dress. 


Signed at the lower left, Ropert Rep, 08. 


Purchased from the artist. 


No. 195 


CULLEN YATES, A.N.A. | - 


AMERICAN, CONTEMPORARY 


UPLAND PASTURES 


Height, 30 inches; length, 40 inches 


Massive hills with rolling surfaces, divided here and there into — a 
fields by dark fences or lines of trees, are spread out broadly a 


before the observer, rising mound on mound to a far distance — 
and a high horizon. They are green pastures, but the grasses 
are turning with the trees, which in the foreground are bright — 


in red and yellow autumn tones and elsewhere show their — a 
colors less brilliantly. The whole landscape is in sunlight, _ 
under a pale turquoise sky enlivened by white cloud patches Ss 
‘touched with pink and yellow. Blue, scattered rocks appear _ 


in the foreground, and a glistening white rill crosses it between 
rich green banks in a bit of a valley or hollow. 


Signed at the lower right, Cutten YateEs. 3 : a 


Purchased from the artist. 


$aso. AW, Lherfooo™ 


No. 196 


FREDERICK 8. CHURCH, N.A. 


AMERICAN 1842— 
 UNDINE 


Height, 4114 inches; width, 25 inches 


SHE appears as a pale blond nymph with the lightest of 
yellow-blond hair, standing facing the spectator, and is shown 
almost at full length, nude amongst green water reeds, her 
fair pink flesh seen through a transparent and prismatic curtain 
of fallmg water. Behind her as a background is a cavern of 
dark green rock—a bit of a green-blue sky with white clouds 
seen at one corner, above. The sunlight strikes from the left 
and above on her strange, bright hair, which falls down her 
back, and she raises her right hand to screen her pale blue eyes 
—behind their misty veil—as she looks directly at the spectator. 
In her left hand, hanging at her side, she holds a flower. 


Signed at the lower right, Copyricut sy F. 8. Cuurcn, 
N. Y., 1902. 


Purchased from the artist. 


$o2s. CO. Seren 


No. 197 


GEORGE INNESS, N. A. 
AMERICAN 1825—1894 


SUNSHINE AND CLOUDS 
Height, 274 inches; length, 42 inches 


A. FAR-EXTENDING plain is presented to view on a summer or 
early autumn day when the heavens are filled with swift- 
moving clouds, which intercept the sunshine intermittently and 
mark a brilliant landscape with their faint shadows. Here the 
whole foreground is in a broad, transparent shadow. It is a 
ground of fields at the right and marshlands toward the left 
about a central pool or shallow stream, and the field stubble 
and the marsh growths are a yellowish-brown, with green and 
red tinges. In the middle distance all the land is in sunshine, 
with a bright green meadow in the center and various buildings 
suggested across the distance, while to the right, beyond a 
bunch of green trees, a jet of steam or gray smoke is seen 
rising from a locomotive which is running in a hollow. The 
skyful of clouds of many forms and differing densities is most 
varied, and its assemblage of vaporous tones and colors full 
of interest. 

Signed at the lower right, G. Inness, 1883. 


Reproduced in “American Masters of Painting,” by Charles H. Caffin. 
Exhibited at Berlin and Munich, 1910. 


£6 us0. List Wefan 


No. 198 


HOMER D. MARTIN, N.A. 
AMERICAN 1836—1897 


THE MUSSEL GATHERERS 
Height, 281% inches; length, 4614 inches 


THE tide is out, and a broad, flat, greenish-brown and stony 
beach of a European coast is pictured, filling the foreground, 
at the approach of twilight on a day of clouds. From the left, 
meandering streamlets still percolate among the stones and 
the marine growths attached to them, and elsewhere occasional 
puddles of water linger imprisoned. Strolling across the beach, 
their brown baskets strapped to their shoulders, three peasant 
women of the fisherfolk are seeking mussels, one of them intent 
in her search, while her two companions are engaged, as they 
‘walk, in a gossiping argument. Their figures are dark in the 
half-light, and their garments are brown, blue, black and red, 
and each wears a white headdress. A steep shore, with green 
grass and brown bushes on its crown, sweeps across the back- 
ground, and some light clouds streak the dull gray and blue of 
the sky. 

Signed at the lower right, H. D. Martin, 1886. 


Purchased from Franklin L. Gunther. 


Fq,coo. I). Hreeddor a ee 


No. 199 


WILL H. LOW, N. A. 
AMERICAN 1853— 


The following twenty paintings (Nos. 199 to 218) by Will H. 
Low, N.A., are the artist’s studies for his mural decorations in the 
ballroom of the Waldorf-Astoria. They were purchased from Mr. Low. 


MUSIC OF THE SEA 
(Lunette) 
Height, 22 inches; length, 3534 inches 


Nympus of the sea, in and out of their liquid element, are 
making and listening to the mysterious music of the deep and 
its circeumambient atmosphere.. On the right, one demi-nue 
is seated on a huge rock which projects above the water, a 
yellow gauze drapery over her limbs, the waves and spray 
breaking about her. At her ear she holds a green shell, listening 
dreamily. At the left her blond sister, enwrapped in pink 
drapery, is stepping out of the water, moving eagerly forward 
and blowing a long shell horn. In the foreground a nymph 
with red hair, nude to the waist, with green gauze drapery 
below, reclines on rocky shelves over which the tumbling waters 
toss and roll, and she also is sounding her green conch. 


oe. Iqq & 26 Pers ra STAT: 


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No. 200 


WILL H. LOW, N.A. 
AMERICAN 1853— 


MUSIC OF THE WooDS 
(Lunette) 
Height, 22 inches; length, 3612 inches 


A DRYAD with mauve gauze drapery about her limbs is floating 
through the air, over the tree-tops in a wood, leaning as on her 
back, her red locks loosely blowing. Her hands are raised to 
her mouth, as though calling back or sounding the music of her 
seductive world to two youths who would pursue from the 
rocks and brush of their environment. One, half-clad in a pelt, 
with one knee on a rock, gazes toward her; the other, a flying 
blue drapery over his thighs, reaches after her with both arms, 
his rapt gaze directed far above her. 


No. 201 


WILL H. LOW, N.A. 
AMERICAN 1853— 


MUSIC OF PEACE 
(Lunette) 


Height, 21 inches; length, 36 inches 


Ow an idyllic hillside of green grass and rocks, with trees and 
plants in blossom as a part of the background, a nude youth— __ 
his loins enwrapped in a skin—pipes while a yellow-haired, _ 
white-robed maiden places a chaplet of laurel on the brow of 
another with reddish hair, who reclines at full length on the = 
turf before her in a single, clinging, semi-transparent garment 
of pale mauve. At the left, a shepherd in green is seated below 
a young mother in a salmon-pink gown who suckles her nude 
infant. 


No. 202 


WILL H. LOW, N.A. 


AMERICAN 1853— 


MUSIC OF WAR 
(Lunette) 


Height, 21 inches; length, 36 inches 


ON the right, youths in loin-cloths blow brazen trumpets, while 
lusty men with pikes crowd on them and press forward, follow- 
ing two sturdy pikemen who toward the left are kneeling on 
rocky ledges, bending and gazing down to regions unrevealed. 
There is a background of suggested trees and a brilliant multi- 
colored sky. 


No. 203 
WILL H. LOW, N.A. 
AMERICAN 1853— 


THE DANCE 
(Lunette) 


Height, 22 inches; length, 36 imches 


A TALL and robust maiden, in a bright, golden-yellow, diaph- 
anous drapery suspended from her shoulders, is engaged in 
a step of the dance on the greensward, amid brightly flowering _ . 
shrubs and plants. She is poised on the ball of one foot, her 
arms gracefully extended, one down her side, the other bent 
_ toward her laurel-bound golden hair. About her at either side, 
standing, seated on rocks or lying on the ground, five other __ 
figures make up her admiring group—one with the lyre of 
Terpsichore, one with pipes, another holding a mask—their _ 
costumes or draperies green, mauve and salmon-color. 


No. 204 


WILL H. LOW, N. A. 
AMERICAN 1853— 


THE DRAMA 
(Lunette) 


Height, 22 inches; length, 3534 inches 


Drama in a bright, reddish-pink classical robe, draped from 
the shoulders, stands at full length in the center of a group of 
five figures, a laurel circlet about her head, her right arm 
raised commanding attention, a yellow mask in her left hand. 
Seated at her right, an aged man, looking up—a white robe 
over shoulder and loins—holds a lyre; at her left a half-nude 
maiden with yellowish-red drapery writes on a tablet; while 
back of her a seated maiden in pale yellow and a reclining 
one in clinging mauve hold respectively the scroll and the ball 
and compass. Conventional surroundings of foliage and 


shrubbery. 


No. 205 


WILL H. LOW, N.A. 
AMERICAN 1853— 


AMERICA—SONG 
(Oval) 


Height, 21 inches; width, 1234 inches 


CoLUMBIA in a wreathed crown of oak leaves is seated upon a 
coping facing squarely to the front, with head thrown back, 
lips lightly parted and eyes uplifted, hearing a gentle song of 
peace and praise. Her plain white drapery is enriched by the 
Stars and Stripes, thrown over her left shoulder and knee, 
and she holds extended before her a partly unrolled scroll. 
Her deep and rich red hair enwreathes her head within the 
circlet of leaves, against a pale turquoise sky which blends into 
a vague background. 

Signed at the lower left, Witt H. Low. 


; 
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No. 206 


WILL H. LOW, N.A. 
AMERICAN 1853— 


ENGLAND—THE HARPSICHORD 
(Oval) 
Height, 21 inches; width, 1234 inches 


THE white keyboard of an old-fashioned harpsichord of green- 
ish color extends across the picture—the instrument standing 
before a low green trellis beyond which pink flowers raise their 
heads amid pale splashes of yellow. A young woman of warm 
red hair and mature charms is seated at the harpsichord but 
turned to the left, her face more than half to the front, holding 
music in her left hand while her right is sounding notes on the 
instrument. She wears a décolleté gown of varied mauve tones, 
and a heavy drapery of bright yellow with white and red orna- 
mentation enfolds her lower figure. 


No. 207 
WILL H. LOW, N.A. 


AmERIcCAN 1853— 


EGYPT—THE CURVED HARP 
(Oval) 
Height, 21 inches; width, 1234 inches 


On a stone seat Egypt as a woman sits facing the right, three- 
quarters front, the curved harp between her knees extending 
its red crescent from the floor to above her head. The stone of 
the seat is a reddish brown, a female figure at the left leans over 
the parapet behind the player, and in the background two tall 
pyramids—a purplish-gray below and _ yellow-capped—rise 
toward a green-turquoise sky. Egypt’s figure is clad in bril- 
liant, glowing yellow and malachite-green, with notes of red. 


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No. 208 


WILL H. LOW, N.A. 
AMERICAN 1853— 


FRANCE—THE DRUM 
(Oval) 
Height, 21 inches; width, 1234 inches 


Martiau France is figured hearing the music of drum and 
cannon. A brunette young woman of settled features, capped 
in pink and laurel-crowned, sits in tricolored drapery leaning 
against a bronze-green cannon of huge size. Her profile is 
clear against a griseous sky, as she looks to the mght with 
upturned gaze. Slung from her shoulder is a snare-drum that 
lies against her hip, and she steadies it with her right hand, 
which clasps the sticks. A cannon-ball is suggested at her feet. 


No. 209 


WILL H. LOW, N.A. 
AMERICAN 1853— 


GERMANY—THE ORGAN 
(Oval) 
Height, 21 inches; width, 1234 inches 


A Saxon maiden with long, Marguerite braids of her deep 
~ yellow hair hanging to her waist, is seated on the bench before 
an organ, in the act of playing. She faces the left and is seen 
in profile, the fingers of her left hand touching the keys and 
her right hand poised for its next movement. ‘The organ is 
mahogany-color, its curtained pipes of light yellow tone. The 
player’s eyes are directed upward, and her attitude is that of 
listening to the notes of the instrument. Her waist is a mauve- 


gray and her voluminous skirt of magenta, with sundry tones — 


of dull red and yellow. 


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No. 210 


WILL H. LOW, N.A. 
AMERICAN 1853— 


GREECE—THE LYRE 
(Oval) 
Height, 203, inches; width, 1234, inches 


FIGURATIVE Greece is seated in an embrasure of a marble 
pergola, clad in a filmy chiton of canary color which leaves arms 
and chest exposed, a rich drapery of blue over waist and knees, 
laurel-crowned, and sounding the notes of a golden lyre. The 
gold is repeated in a broad band that frames the composition. 
Greece looks toward the right, facing three-quarters front, and 
is seen against a background of trees, shrubbery, and grayish- 
white clouds in a blue sky. 


No. 211 


WILL H. LOW, N.A. 
AMERICAN 1853—_ 


HOLLAND—THE LUTE 
(Oval) 
Height, 2034 inches; width, 12% inches 


AGAINST a deep azure sky a Dutch house built of brick, with a 
step-gable roof, rises on the left, with suggestions of a grass- 
bank and growing plants before it, the whole as background 
for a robust, fair-haired woman who is playing a lute. She 
sits in a mahogany chair turned to the left, but faces the front 
with the lute across her knee, and her lips are parted as though 
singing softly to herself. Her décolleté gown is of a broad, 
flowered pattern, the ornamentation pink, yellow and green 
on a white ground. At her feet is a line of yellow tulips of 
the tulip-growing Lowlands, and a suggestion of water. 


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No. 212 


WILL H. LOW, N.A. 
AMERICAN 1853— 


HUNGARY—THE VIOLIN 
(Oval) 
Height, 21 inches; width, 1234 inches 


Huneary is possessed of the spirit of her music, as she sits on a 
green and brown bank in the open—field plants and grasses 
growing near her, a creamy-white conical tent rising behind 
her—and holding her beloved violin pressed beneath her chin 
with her left hand, while her right hand holds the bow away 
to her right. She is facing forward, slightly turned toward the 
right, and the sky above her has a filmy veil of white over its 
robin’s-egg blue. Her hair is bound with strands of coral and 
bright coins, her loosely draped waist of soft material is of 
orange tone, and the ample skirt that covers her spread knees 
is almost iridescent in varied notes of green and yellow. She 
smiles, and her eyes are fixed in a far-away vision. 


No. 218 


WILL H. LOW, N. A. 
AmeERIcAN 1853— 


IRELAND—THE CELTIC HARP 
(Oval) 
Height, 21 inches; width, 124% inches 


A YOUNG woman with broad face, blue eyes, and features of 
Irish type, is seated on a blue-gray rock—one of many jutting 
out from a green hillside—and rests one foot on another of the 
rocks below, while its mate on the ground is all but laved by 
the blue sea on whose border the maiden sits dreaming. She 
faces the left, three-quarters front, a Celtic harp between her 
knees, on which she leans forward, resting an elbow on its top 
and supporting her head by her hand. Her head is thrown 
back and she gazes with rapt and distant expression upward 
and afar. Her loose hair, blown by the wind, streams out 
against a blue sky overspread by a white fleecy veil. She is 
clad in a light green drapery which leaves her arms and feet 
and one side of the torso exposed. 


No. 214 


WILL H. LOW, N.A. 
AMERICAN 1853— 


ITALY—THE °CELLO 
(Oval) 


Height, 21 inches; width, 1234 inches 


SEATED on a balcony with a pale but bright blue sky for back- 
ground, a vigorous yet dreamy young woman with Titian hair 
is playing the ’cello, with emotion. Her drapery of indefinite 
coloring leaves her bust nude, and is carried in a swirl back of 
and to one side of her. Her figure is three-quarters toward the 
front, but as she leans over her instrument, playing, her face 
is seen in profile to the left, her large eyes directed toward 
infinite distance. 


No. 215 


WILL H. LOW, N.A. 
AMERICAN 1853— 


JAPAN—THE SAMISEN 
(Oval) 
Height, 21 inches; width, 12% inches 


A LITTLE lady of the Orient is seated on a red lacquer stool 
before a low grill railing, a dwarf tree growing in a deep blue 
pot at her feet and a pinkish-yellow, ovoid paper lantern 
suspended before her. She faces the right and is seen in profile, 
giving close attention to her samisen’s curious notes. Her black 
hair is done up with long pins, and adorned with a yellow and 
green flower, and her loosely flowing kimono, which falls away 
from her neck, displays varying tones of red, blue, yellow and 
pearl-gray. 


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No. 216 


WILL H. LOW, N.A. 
American 1853— 


RUSSIA—THE BELLS 
(Oval) 
Height, 21 inches; width, 1234 inches 


A. SINGLE-SEATED Russian sleigh headed toward the right is pic- 
tured against white banks of snow, under a sky of a cold blue. 
The heavily ornamented sleigh is green and brown and gilded, 
and in it is seated a fair young woman of quiet and determined 
expression who has turned toward the spectator, her head in- 
clined forward but her eyes raised. She is clad in a long, loose 
gown or velvet robe of pale red, with white lace at the short, 
open, flowing sleeves, and with hands raised—one over her 
head, one at shoulder-level—she swings a string of jingling 
sleigh-bells. 


No. 217 


WILL H. LOW, N.A. 
AMERICAN 1853— 


SCOTLAND—THE BAGPIPES 
(Oval) 
Height, 21 inches; width, 1234 inches 


BuirHE of aspect, a Highland lass is perched upon a gray 
rock on the slope of a green and yellow heath, tootling the 
national pipe with abstracted air. Her short skirt of burnt- 
orange hue leaves a sturdy leg a bit exposed as she sits with one 
foot doubled under her, facing the right. Her yellow-blond 
hair is wrapped loosely about her head, which is inclined for- 
ward as she looks down the hill, her profile sharp against the 
thin white clouds screening a light blue sky. 


No. 218 


WILL H. LOW, N.A. 
AMERICAN 1853— 


SPAIN—THE CASTANETS 
(Oval) 
Height, 2034 inches; width, 124% inches 


A DARK and supple beauty of the Southland is seated upon a 
coping or balustrade in the full sunshine of a bright day, 
beneath a whitish-blue sky. Filmy and transparent pink 
drapery leaves bust and torso unconcealed, while over her 
knees is loosely drawn a robe of Spanish red and yellow. A 
black lace mantilla floats from her dark hair, ripening oranges 
grow among green branches which rise above the wall of her 
seat, and her arms are raised in swinging abandon—one above 
her head—as she clacks the castanets. 


AMERICAN ART ASSOCIATION, 
MANAGERS. 


THOMAS E. KIRBY, 
AUCTIONEER. 


be I 


>¥ 
i 


\o 


[hare 


LIST OF ARTISTS REPRESENTED AND 


THEIR WORKS 


BALLIN, Hueco, A.N.A. 


The Dove 
An Evening Song 


BECK, Orro WALTER 


The Shepherd 
The Child Mary 


BECKWITH, J. Carroiu, N.A. 
Apple Blossoms 


BLAKELOCK, RatpH ALBERT 
Pegasus 
Early Evening 
Golden Evening 
Sundown 
The Indian Hunter’s Camp 
Autumn 
An Indian Camp in the Woods 
In the Catskills 
A Pool in the Forest 
The Mountain Brook 
A Woodland Glen 
The Powwow 
Sunset at Sea 
Moonlight 


BLUM, Roserr Frepericxk, N.A. 
Casa d’Oro, Venice 


CATALOGUE 
NUMBER 


16 
137 


20 
90 


17 


BRUSH, Gerorce De Forest, N.A. 


Leda and the Swan 


BUNCE, Witutam GeEpney, N.A. 


Sunset—Mount Desert 
Evening at Venice 
Morning in Venice 
Sunset 


Watch Hill, Rhode Island 


CHASE, Wiuu1am Merritt, N.A. 
Near Bay Ridge 


CHURCH, Frepverick S., N.A. 


The Visitor 

The Witch’s Daughter 
Una and the Lion 
Refuge 

Moonrise 


Undine 


COFFIN, Wuiuu1M A., N.A. 
A Rainy Day 


COLMAN, SamuEt, N.A. 


Moonrise at Venice 
Moonlight near Rome 


COX, Lovuist, A.N.A. (Mrs. Kenyon Cox.) 


Little Miss Muffet 


CURRAN, Cuartes C., N.A. 
Butterflies 


CATALOGUE 
NUMBER 


87 


85 


48 


CATALOGUE 
, NUMBER 
DERRICK, Witiiam Rowe. 

Early Morning—Squam Lake, New Hampshire 58 


DESSAR, Louis Paut, N.A. 


The Evening Star 24 

The Wood Cart—Early Morning 133 

A. Pastoral 190 
DEWEY, Cuarites MeEtviiiez, N.A. 

Eventide 53 

Homeward 59 

Drifting—A New England Scene, near Essex, 

Massachusetts 138 

A Gray Day in Shropshire 161 
DEWING, THomas W., N.A. 

Morning 18 

The Lute 141 

Woman in Purple and Green 167 
DIELMAN, Frepericx, P.N.A. 

Magnolias 91 
‘FITZ, BenzgamMiIn RUTHERFORD 

Gathering the Last Sheaves 105 

The Reflection 185 
FULLER, Gerorce, A.N.A. 

A Child of the Forest 23 
FULLER, Henry Brown, A.N.A. 

Mother and Child 121 


FULLER, Lucia Fatrcutup, A.N.A. 
The Rose Gown 26 


GENTH, Livtian Marnie, A.N.A. 
Spring Blossoms 


GIFFORD, Rosert Swany, N.A. 


Summer 
Near Buzzards Bay 


GRUPPE, CuHarites Pau 
Summer—Caledonia Creek 
Along a Connecticut Road 


HAMILTON, Enpcar ScuppER 
Andromeda 


HASSAM, Cuirpe, N.A. 
At the Piano 
Isles of Shoals 
Leda and the Swan 
The Butterfly 
October Haze, Manhattan 


HILL, Artuur T. 
Late Afternoon, Gardiner’s Bay 


HOMER, Winsvow, N.A. 
The Dead Deer 
A Fisherman’s Day 
On the Trail 
A Good One 
Casting for a Rise 
A Quiet Nook on a Sunny Day 


HOWLAND, Atrrep Cornetius, N.A. 
At the Mill, Walpole, New Hampshire 


CATALOGUE 
NUMBER 


136 


49 
81 


104 
143 


73 


51 
54 
124 
178 
186 


117 


33 
39 
96 
102 
154 
159 


19 


CATALOGUE 
NUMBER 


INNESS, Georce, N.A. 


Landscape and Cattle 35 
The Farmhouse 64 
Durham, Connecticut, 1880 106 
. Spring Blossoms—Montclair, New Jersey, 1885 120 
Early Autumn, Montclair 140 
Woods near Milton 156 
Sunshine and Clouds 197 


JOHNSON, Eastman, N.A. 


Corn Husking 8 

LA FARGHE, Joun, N.A. 
Mount Tohivea 43 
- The Ascension 95 
Lady of Shalott 153 


LATHROP, Wuuiam L., N.A. 
Twilight in Connecticut 21 


LOEB, Lovuts, N.A. 


The Dreamer 13 
Miranda 122 


LOW, Wu. H., N.A. 


A Débutante 162 
Music of the Sea 199 
Music of the Woods 200 
Music of Peace 201 
Music of War 202 
The Dance 203 
The Drama 204 
America—Song 205 


England—the Harpsichord 206 


Egypt—the Curved Harp 


France—the Drum 
Germany—the Organ 
Greece—the Lyre 
Holland—the Lute 
Hungary—the Violin 
Ireland—the Celtic Harp 
Italy—the ’Cello 
Japan—the Samisen 
Russia—the Bells 
Scotland—the Bagpipes 
Spain—the Castanets 


LUCAS, ALpBert P. 
The Night Watch 


MARSHALL, Witiiam Epcar 


On the Seine 


Martin, Homer D., N.A. 
Lake George 
On the Seine 
Autumn 
October 
Low Tide—Villerville 
A Brook in Connecticut 
The Meadow Brook 
The Mussel Gatherers 


METCALF, Wittarp L. 
The Bower 


MILLER, Cuarrtres Henry, N.A. 


Evening 


An Early Settler, Long Island 


CATALOGUE 
NUMBER 


207 
208 
209 
210 
211 
212 
213 
214 
215 
216 
217 
218 


128 


79 


41 
44 
93 
98 
107 
150 
170 
198 


123 


74 
166 


ne 
a oY | 


MINOR, Roserr C., N.A. 
Twilight 
Sundown 
After Sunset 
Eventide 
Noonmark by Moonlight 


MURPHY, J. Francis, N.A. 


Autumn 

A Hillside Farm 
September 

Early Autumn 
Morning 

Gray Hills 


NEWELL, Grorct GLENN 


The Toilers 
Late Afternoon 


NEWMAN, Rosert Layton 


The Letter 
Madonna and Child 


O'DONOVAN, Wurm R., A.N.A. 
The Bathers 


PAULI, RicHarp 


Evening 


RANGER, Henry W., N.A. 
Sunset at Berthier 
Spring Pastures 
The Spring-hole, Haley’s Woods 
Willows 


CATALOGUE 
NUMBER 


101 
126 
173 


67 
182 


89 
148 


86 


130 


CATALOGUE 
NUMBER 


The Swamp Pool 134 

A Nocturne © 174 

Early Morning—Noank 189 

Sky, Dunes and Sea 193 
REID, Rosert, N.A. 

The Violet Gown 55 

The Pool 60 

The Brown Veil 132 

The Violet Kimono 184 

The Yellow Flower 194 
ROBINSON, THEODORE 

A New England Brook 11 

Afternoon Shadows 110 

Day Dreams 169 
RYDER, ALBert P., N.A. 

Autumn 28 

“With Sloping Mast and Dipping Prow” 38 

Evening Glow—the Old Red Cow 78 
SARTAIN, Wim, 4.N.A. 

Near Englewood, New Jersey 15 

The Meadow Brook 164 
SHIRLAW, Watter, N.A. 

Toning of the Bell 22 

The Kiss 25 

Autumn 165 
TRYON, Dwicsat Wii, N.2A. 

Springtime 50 

An Autumn Evening 113 


Daybreak 175 


TWACHTMAN, Joun Henry 


VAN 


An Early Winter 

New York Harbor 

The Little Bridge 

Street Scene, Limburg, Germany 
Near Bridgeport, Connecticut 
Old Holly House, Cos Cob—Winter 
A Spring Morning 

The Bridge in Winter 

Meadow Flowers 

The Campanile, Late Afternoon 
Freight Boats on the Seine 

The Hidden Pool 

Niagara in Winter 

The White Bridge 


LAER, ALExanperR T., N.A. 
October near Litchfield 


WALKER, Henry Otiver, N.A. 


Boy and Dove 
A Morning Vision 


WAUGH, Freperick J., N.A. 


A Misty Day, Monhegan 

From Giant’s Stairway, Bailey’s Island 
Sea and Foam 

East Coast, Bailey’s Island 

Early Moonrise 


WEIR, J. Avpen, N.A. 


Midday 
Lengthening Shadows 


WILES, Irvine Ramsay, N.A. 


The Purple Shawl 


CATALOGUE 
NUMBER 


12 
AT 
52 
72 
99 | 
119 
125 
131 
135 
146 
172 
180 
187 
191 


179 


69 


cmareare 
WHITTREDGE, Wortuinerton, N.A. : 
A Gray Day in the Valley 145 
WILLIAMS, FreprErick Bauuarp, N.A. ; 
The Bather 5 
The Broad, Green Valley 139 
The Sea Nymphs 147 
The Golden Hour 188 
WYANT, ALEXANDER H., N.A. 
A Cloudy Day in the Adirondacks 32 
In the Catskills 34 
A Lowery Day 37 
Moonlight 40 
Early Morning 45 
A Wet Afternoon | 63 
A Cloudy Sunset (ul 
Mystic Rays 82 
Sunset in the Woods 88 
A Cloudy Evening | 92 
September 97 
A Gray Day 112 
An Adirondack Vista 115 
An October Landscape 149 
An Adirondack Hillside 151 
Haying Time 157 
The Lonely Farmhouse 160 
Sunset 163 
Birch Woods in the Adirondacks 168 
Morning at Neversink 176 


YATES, Cutten, 4.N.A. 


The First Snow 129 
Upland Pastures 195 


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* ag ae Q. ‘Curran | 55. G. A ueskatl 
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stoned Colman 260. Ralph King 
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ae. Wiliam A. Coffin 120. W. Kemsen 
ne ‘chara Paula. 210. We Ames 
we eatin Joimson 210. W. Ames 
8 Proderick S. Church 380. Hawin Mayer 
felph : Albert Plakeloc% 1,200. ‘Wf. B. Thompson 
Taoodove Robinson 475. Alex. Morten 
Som ein fwachtman 425. Ralph King 
Laake Loeb | " 250. Mr. Springer 
“Willan sekiny Bunce 300. G. H. Talcott 
Willian Sartain 325. Yim. Macbeth 
Hugo Baliin 220. %. Henry 
‘ds Carroll Beckwith 130. ur. Springer 
Thomas W. Dewing 700. M. Knoedler & Co. 
Alfred Cornelius Howiesd 210. Mrs. Nathan Bijur 
Otto Welter Beck 130. F. A. Vancoriape 
| William i,. Lathrop 175. - M. Knoedler & Go. 
Yielter Shirlaw 160. W. Be Thompson 
George Fuller 25 Burton Mans?ieid 
agit Paul basses — 190. | Relph King 
Walter Shirlaw : 130. ?. Henry 
Lucia Fairchild Fuller 360. ) Geo. H. Ainsiie 
Ralph Albert Blakelock 400. Ww. Remeen 
Albert P. Ryder 150. Geo. & Falmer 
Robert ©. Minor 350.4 A. H. Cosden 
J. Francis Murphy 640. Abraham & Straus 


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Dwight William Tryon 
“Childe Hassam 
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Charles Melville Dewey 
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* Jol Henry Twachtman , 165. 
| “Rdgar Soudder Hamilton 0. 
“Chorles Henry tiller 105. 
ie Ralph Albert Binkelock 250. 
se Francis Murphy 850. 
| Meeaider He tiyant $25. 
Albert P. Ryder 325. 
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Ralph Albert Blakelock 320. 
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86 William KR. 0'Denovan 60. 
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John J. Souney 
L. Bs Ellis 
Abraham & Straus 
G. S. Palmer 
Gol. Woodward 
Mr. Springer 
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Charles P. Gruppe 
‘Frederick J. Waugh 
Worthington Whittredge 
Jom Henry Twachtman 
Frederick Ballard Williams 
‘Robert Layton Newman 
“Alexander H. Wyant 
‘Homer D. Martin 
Alexander H. Wyant 
‘Ralph Albert Blakelock 
Jom La Farge 
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‘Ralph Albert Blakelock — 
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Alexander H. Wyant 
Robert C. Minor 
Winslow Homer 
Alexander H. Wyant 
Charles Melville Dewey 


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Henry Schultheis 
Miss A. R. Knox 
Cél. Woodward 
James Brown 
T. Henry 
Mr. Springer 
N. Snead 
A. Eisenberg 
C. L. Andrews 
John J. Souney 
Me. Tanenbaum 
John Levy 
James Logan 
A. M. Hudnut 
We Stursberg 
H. CG. Parker 
Geo. H. Ainslie 
Le M. Grout 
Burton Mansfield 
Holland Galleries 
Myr. Springer 
M. Knoedier & Co. 
W. Stursberg 
Holland Galleries 
Wim. Macbeth 
Abraham & Straus 
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Willian Sartain 
Walter Shirlaw 
Charles H, Miller 


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Thomas W. Dewing 


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Theodore Robinson 


Ralph Albert Blakelock 
Jom Henry Twachtman 
J. Francis Murphy 


Henry W. Ran ger 


Dwight William Tryon 


Aloxandor H. Wyant 
Frederick A; Gharéh 
Childe asiiine 
AYexander T. Van Laer 
John Henry Twachtman 
Robert C. Minor 

George GlennNewell 
Frederick J. Waugh 
Robert Reid 
Benjamin Rutherford Fitz 
Childe Hasam 

John Henry Twachtman — 
Frederick Ballard Williams 
Henry W. Hanger 

Louis Peul Besser 

Jom Henry Twachtman 
Ralph Albert Blakelock 
Henry W. Ranger 

Robert Reid 

Cullen Yates 
Frederick S. Church 


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Chas. Weinberg 
Henry Reinhardt 
Holland Galleries 
Yim. Macbeth 

Wine Macbeth 

0. A. Jamison 

C. W. Kraushaar 

FP. A. Vanderlip 
Wm. Macbeth 

Rhode ¥sland School of Design 
Senator W. A. Clark 
Geo. A. Hearn 

N. E. Montross 
John D. Carberry 
Wm. Macbeth 

C. A. Jamison 
Thomas N. MeCarter 
Dr. Fred Whiting 
Mr. Springer 

Geo. $. Palmer 

Wm. Macheth 


Wm. Macbeth 


F. A. Vanderlip 

H. F. English 

G. S&. Palmer 

Yim. Macbeth 

Senator VW. A. Glark 
Yin. Macbeth 

Win. Macbeth 

W. B. Thompson 


C. A. Jamison 


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